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The painting is dominated by a depiction of a stemmed silver fruit bowl containing pears. A deliberately created optical illusion of the human face occupies the same space as the dish; the fruits suggest wavy hair, the dish's bowl becomes the forehead, the stem of the dish serves as the bridge of the nose, and the dish's foot doubles as the chin.
The beach depicted here is probably not in the Channel Islands but near Dieppe, on the Normandy coast. The model was Aline Charigot , his then girlfriend, whom he married in 1890. [ 2 ] The arc of the sitter's dark eyebrows and saucily tilted nose in that pleasant, rosy-cheeked face are common to works by Renoir.
Manet, On the Beach, 1873. Compositionally, the painting departs from the conventions of the era. Gauguin crowds the two figures into the space of the canvas, yet they are completely independent of one another. [11]: 236 Art historians have compared this aspect of the work to the treatment of figures in Manet's On the Beach. [9]: 236
Clotilde en la playa, 1904 Paseo del faro, 1906 Elena en la playa, 1909. Born in Valencia, Joaquín Sorolla had been familiar since his youth with life on the sea. In his early work, there is the traditional port view Marina, Barcos en el Puerto with which he made his debut in the art exhibition Expsoición National in Madrid in 1881. [17]
Arcadia, 1883, 38 + 5 ⁄ 8 × 45 in (98 × 114 cm), oil on canvas, The Metropolitan Museum of Art. Like The Swimming Hole, this painting shows the influence of a classical conceit. [21] The positioning of the bodies and their musculature refers to classical ideals of physical beauty and masculine camaraderie evocative of Greek art. [22]
It is believed that O'Keeffe came to this method through the instructional techniques of her teacher Arthur Wesley Dow, as it notably shows up in her Hawaii series, such as Lava Arch, Wai'anapanapa State Park and Natural Stone Arch near Leho‘ula Beach, ‘Aleamai, but also in her paintings more than a decade earlier (Shell and Old Shingle ...
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The Beach at Honfleur is an oil-on-canvas painting by French impressionist Claude Monet. The painting depicts a beach on the Côte de Grâce with sailboats, the hospital of Honfleur, and a lighthouse in the distance. In the foreground, a solitary figure in a blue smock stands on the beach.
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