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Mako is due to deliver a final assessment to determine the approval of the drones at a PPDC council meeting in Sydney, but is killed by a rogue Jaeger, Obsidian Fury, during an altercation with the latter and Gipsy Avenger, Jake and Nate's Jaeger, before she can. Her death prompts the PPDC council to authorize and deploy the drones immediately.
Danger Days received generally positive reviews from critics and sold 112,000 copies in its first week, debuting at the top of the Billboard Rock Albums and Alternative Albums charts, and at number 8 on the Billboard 200. [10] It also appeared in the music charts in several other countries.
To find a new co-pilot, Raleigh participates in tryouts; he decides that he and Mako are "Drift-compatible". During their first test in Gipsy Danger, Mako falls out of alignment while reliving the memory of an attack on Tokyo by the Kaiju Onibaba, nearly firing Gipsy's plasma cannon and destroying the Shatterdome. As a result, Pentecost grounds ...
The following day, Marvel released the album's full track listing, which was released by Hollywood Records on May 1, 2012. [5] A cover of AC/DC 's song " Shoot to Thrill ", performed by Theory of a Deadman , was originally to be included on the album, but was removed for unknown reasons.
Djawadi felt that the dragon theme was the "overarching Targaryen theme", but he later focused on the other characters, such as Rhaenyra, Daemon, Alicent and Viserys, and created multiple themes focusing on the family. [9] The music of House of the Dragon mainly focuses on Daemon and Rhaenyra. [10]
"Live to Rise" is a song recorded by American rock band Soundgarden for the 2012 film The Avengers. The song was released by Hollywood Records on April 17, 2012, as a free digital download during its first week of availability at the iTunes Store, [1] and was later included on the film's soundtrack album, Avengers Assemble: Music from and Inspired by the Motion Picture, released on May 1, 2012.
The Allmusic review states "The opening "Theme from Enter the Dragon" is unquestionably a product of its time. While the tune is occasionally infused with Eastern-sounding chords and instrumental voicings, the adrenaline-pumping proto-funk backbeat is drenched in wah-wah guitar, dramatic brass interjections and (presumably) Lee's intimidating Kiai (battle cry) vocalizations.
Concerning the central conflict of the film, Jackman found that he was in "constant danger of tipping it too much" and pushing the audience to one side or the other, so he composed a new main theme for the film to represent that Civil War, which he called "a generic theme to balance everything out", [68] and "a narrative theme toward which all ...