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A Sambalpuri sari is a traditional handwoven bandha sari (locally called "sambalpuri bandha" sadhi or saree) wherein the warp and the weft are tie-dyed before weaving. It is a handloom sari produced in the Sambalpur , Bargarh , Balangir , Boudh and Sonepur districts of Odisha , India.
An alpana is usually created on flooring, generally directly on the ground. On this, a wet white pigment made of rice flour and water (or in some places, chalk powder and water) is used to outline the alpana, with the paint being applied by the artist's finger tips, a small twig, or a piece of cotton thread that is soaked in the dye, or fabric. [3]
Paithani Bridal Sari Paithani Bridal Sari An aeroplane with a Paithani design created by Meera Mehta an Indian textile designer, on its vertical stabilizer-rudder. Paithani is a variety of sari , named after the Paithan town in Aurangabad from state of Maharashtra in India where the sari was first made by hand.
The solar motif is closely associated with the lotus putki. Often, the lotus and solar motifs are found together at the centre of a nakshi kantha. The solar motif symbolises the life-giving power of the sun. The sun is linked to fire, which plays a significant role in Hindu rites, both religious and matrimonial.
Motifs and colors in the north are similar to those of Afghanistan and Baluchistan, while the motifs and colors in the south show a Gujarati influence. Shisha embroidery is used on many wedding garments, such as the guj , a tunic worn by the bride, and the bokhani , a scarf worn by the groom.
The traditional varieties of phulkaris are large items of cloth and include chope, tilpatr, neelak, and bagh. [5] Some make the distinction that phulkari only refers to sparingly-embroidered flowers, where the base cloth is still visible, while an intricately embroidered flower pattern that covers the entire garment is known as a bagh ('large ...
Indian elements were present in their works from the beginning, with the incorporation of local Indian flora and fauna that were otherwise absent from the traditional Persian style. The paintings of this time reflected the vibrancy and inclusion of Akbar's kingdom, with production of Persian miniatures , the Rajput paintings (including the ...
The patterns include motifs of animals, birds, human forms, flowers, diamond, and celestial phenomenon. These indigenous patterns are woven by tribal and nontribal Weavers. The motifs are known as phul. The bright-hued diamond motifs representing fine workmanship is a typical and traditional feature of the textiles of Assam.