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Some scholars believe the painting is meant to represent the nymph Callisto, bathing apart from Diana's entourage. [2] The painting is broadly executed. Art historian Gary Schwartz refers to it as an "oil sketch enlarged to the dimensions of a full-scale painting" and calls it "one of the freshest and most original of Rembrandt's works in oil." [3]
The Lady of Shalott, an 1888 oil-on-canvas painting, is one of John William Waterhouse's most famous works. It depicts a scene from Tennyson's poem in which the poet describes the plight and the predicament of a young woman, loosely based on the figure of Elaine of Astolat from medieval Arthurian legend, who yearned with an unrequited love for the knight Sir Lancelot, isolated under an ...
The painting depicts Ophelia singing while floating in a river just before she drowns. The scene is described in Act IV, Scene VII of Hamlet in a speech by Queen Gertrude. [1] John Everett Millais in 1865, by Charles Dodgson (Lewis Carroll) The episode depicted is not usually seen onstage, as in Shakespeare's text it exists only in Gertrude's ...
Christina's World is a 1948 painting by American painter Andrew Wyeth and one of the best-known American paintings of the mid-20th century. It is a tempera work done in a realist style, depicting a woman in an incline position on the ground in a treeless, mostly tawny field, looking up at a gray house on the horizon, a barn, and various other small outbuildings are adjacent to the house. [1]
The Source depicts a nude woman standing in front of a stream of water. In the painting the woman is reaching into the stream while it is flowing unto her arms. The identity of the woman in the painting is unknown. There was some speculation on whether or not the woman had previously modeled for Courbet.
Les Grandes Baigneuses, or The Large Bathers, is a painting by Pierre-Auguste Renoir made between 1884 and 1887. The painting is in the Philadelphia Museum of Art, in Philadelphia. [1] [2] The painting depicts a scene of nude women bathing. In the foreground, two women are seated beside the water, and a third is standing in the water near them.
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An illustration of the painting which appeared in the publication Almanach des Dames in 1823.. La Circassienne au Bain, also known as Une Baigneuse, was a large Neoclassical oil painting from 1814 by Merry-Joseph Blondel depicting a life-sized young naked Circassian woman bathing in an idealized setting from classical antiquity.