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In music, a minor seventh chord is a seventh chord composed of a root note, a minor third, a perfect fifth, and a minor seventh (1, ♭ 3, 5, ♭ 7). In other words, one could think of it as a minor triad with a minor seventh attached to it. [2] For example, the minor seventh chord built on A, commonly written as A− 7, has pitches A-C-E-G:
Two Lefts Don't Make a Right...but Three Do (often called Two Lefts) is the third full-length album released by Christian rock band Relient K. The album was nominated for a Grammy for Best Rock Gospel Album , but the award that year ended up being won by Worldwide by Audio Adrenaline .
The term "chord chart" can also describe a plain ASCII text, digital representation of a lyric sheet where chord symbols are placed above the syllables of the lyrics where the performer should change chords. [6] Continuing with the Amazing Grace example, a "chords over lyrics" version of the chord chart could be represented as follows:
According to lead singer, Matt Thiessen, the album was created with a "Five" theme, as it is the band's fifth album, and for the first time Relient K has five members on an album. The "Seven Years Ago" links with the fact that the group's first album was created seven years prior to the release of this album, making for five albums in seven years.
For example, the interval from A 3 to G 4 is a minor seventh, as the note G 4 lies ten semitones above A 3, and there are seven staff positions from A 3 to G 4. Diminished and augmented sevenths span the same number of staff positions, but consist of a different number of semitones (nine and twelve, respectively).
Relient K was then asked to do a rendition of the popular VeggieTales song "The Pirates Who Don't Do Anything" for the 2002 feature length VeggieTales movie Jonah: A VeggieTales Movie. The song was released on three different albums, two in single form. The first version also included Relient K's "Breakdown" being sung by Larry the Cucumber ...
In major keys, the chords iii and vi are often substituted for the I chord, to add interest. In the key of C major, the I major 7 chord is "C, E, G, B," the iii chord ("III–7" [11]) is E minor 7 ("E, G, B, D") and the vi minor 7 chord is A minor 7 ("A, C, E, G"). Both of the tonic substitute chords use notes from the tonic chord, which means ...
[4] Another notable use is in the fourth movement of Samuel Barber's Piano Sonata; the subject of the fugue begins with a minor major seventh chord presented as an arpeggio. The arpeggio is heard many times throughout the fugue. [5] The minor major seventh chord is most often used in jazz, typically functioning as a minor tonic.
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