Search results
Results from the WOW.Com Content Network
A kempul is a type of hanging gong used in Indonesian gamelan.The kempul is a set of pitched, [1] hanging, knobbed gongs, often made of bronze, wood, and cords. [2] Ranging from 19 to 25.4 cm (7.5 to 10.0 in) in diameter, the kempul gong has a flat surface with a protruding knob at the center and is played by hitting the knob with the "soft end of a mallet."
Each instrument in a pair is tuned differently from its counterpart, one higher and one lower. Played at the same time, the higher instrument (known as pengisep or "inhaler") and the lower instrument (known as the pengumbang or "exhaler"), produce a beating effect (ombak) by sympathetic resonance, creating an overall shimmering, pulsating ...
Ladrang form on the balugan instruments. GONG = gong ageng Play approximation without colotomy ⓘ. The kempyang and ketuk are two instruments in the gamelan ensemble of Indonesia, generally played by the same player, and sometimes played by the same player as the kenong.
The gong ageng is considered the most important instrument in a gamelan ensemble: the soul or spirit of the gamelan is said to live in the gong. [3] Gong ageng are often proffered ritual offerings of flowers, food, and/or and incense before performances [4] or each Thursday evening [1] to appease spirits believed to live in and around it.
Sociomusicology (from Latin: socius, "companion"; from Old French musique; and the suffix -ology, "the study of", from Old Greek λόγος, lógos : "discourse"), also called music sociology or the sociology of music, refers to both an academic subfield of sociology that is concerned with music (often in combination with other arts), as well as a subfield of musicology that focuses on social ...
One instrument, tuned slightly higher, is thought of as the "inhale," and the other, slightly lower, is called the "exhale" (Also called the "blower" and the "sucker," or pengimbang and pengisep in Bali). When the inhale and the exhale are combined, beating is produced, meant to represent the beating of the heart, or the symbol of being alive.
Kendang are also used as main instrument for Jaipongan dances. In another composition called Rampak Kendang, a group of drummers play in harmony. Among the Makassarese, the Ganrang (kendang) drums have much more importance, with it considered the most sacred of all musical instruments, comparable to gongs in Java.
The most primitive beleganjur ensemble, known as bebatelan, consisted of only nine instruments: . one "great gong": gong ageng; one secondary gong, with sunken boss instead of the usual raised one: bendé;