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The melody is credited to Dorsey, drawn extensively from the 1844 hymn tune, "Maitland". [1] " Maitland" is often attributed to American composer George N. Allen (1812–1877), but the earliest known source (Plymouth Collection, 1855 [2]) shows that Allen was the author/adapter of the text "Must Jesus bear the cross alone," not the composer of the tune, and the tune itself was printed without ...
Sacred Songs and Solos is a hymn collection compiled by Ira David Sankey, who partnered Dwight Lyman Moody in a series of evangelical crusades from 1870 until Moody's death in 1898. The collection first appeared in 1873, [ 1 ] and has subsequently been published in many editions and formats, expanding to a final volume of 1200 pieces that ...
The following lists contains all the hymns composed by Sankey that are found in the "1200" edition of Sacred Songs and Solos. Many of these hymns are also found in the six-volume collection, Gospel Hymns and Sacred Songs , which Sankey edited with Philip Bliss and others, which was published in the United States between 1876 and 1891.
The English words and the tune were written in 1872 by the American Methodist minister and gospel songwriter Lewis Hartsough (1828–1919) during a revival meeting at Epworth, Iowa, where Hartsough was minister. [1] Hartsough was musical editor of The Revivalist, a collection of hymns which had begun in 1868 and continued through 11 editions ...
The Million Dollar Quartet recorded the song in 1956. [8] Pat Boone - included in his album Hymns We Love (1957). [9] Rosemary Clooney - for her album Hymns from the Heart (1958). [10] Daniel Johnston - for his album 1990 (1990) The Martins - in their CD album An A Cappella Hymn Collection (1997)
The African Methodist Episcopal Church Hymn Book (1837) [349] The Hymn Book of the African Methodist Episcopal Church: being a collection of hymns, sacred songs and chants (5th ed.) (1877) [350] [351] New hymn and tune book (1889) [352] African Methodist Episcopal hymn and tune book: adapted to the doctrine and usages of the church. (1898) [353 ...
In the early 1970s Calvary Chapel was home to more than 15 musical groups [1] [2] that were representative of the Jesus movement.In 1971, Maranatha!Music was founded as a nonprofit outreach of Calvary Chapel to popularize and promote a new, folk-rock style of hymns and worship songs influenced by the Jesus people.
Free Flying Soul was recorded in a scant six weeks. [5] According to Hindalong, Free Flying Soul would be the last Choir album to be a fully analog recording. [6] The band's primary equipment included a Neve console previously used by the John Peel Sessions—which later ended up at Ocean Way Recording—as well as a Studer two-inch tape recorder. [7]