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Theocritus (/ θ iː ˈ ɒ k r ɪ t ə s /; Ancient Greek: Θεόκριτος, Theokritos; born c. 300 BC, died after 260 BC) was a Greek poet from Sicily, Magna Graecia, and the creator of Ancient Greek pastoral poetry.
Idyll XI has an unusual set of narrative framing, as Theocritus appears in propria persona, and directly offers his friend Nicias consolatio amoris. [2] Nicias worked as a doctor, and it is likely the two knew each other in their youth. [3] Nicias was also a poet, as he responded to Theocritus' advice in a similar fashion.
Theocritus acknowledges his indebtedness to the Ionian lyrists and elegists by using their dialect. [1] According to J. M. Edmonds , the passage rendered here in verse contains what at first sight looks like a mere display of learning, but has simply this intention: 'Our love will be famous among so remote a posterity that the very words for it ...
An idyll (/ ˈ aɪ d ɪ l /, UK also / ˈ ɪ d ɪ l /; from Greek εἰδύλλιον (eidullion) 'short poem'; occasionally spelled idyl in American English) [1] [2] [3] is a short poem, descriptive of rustic life, written in the style of Theocritus's short pastoral poems, the Idylls (Εἰδύλλια). Unlike Homer, Theocritus did not engage ...
Idyll II, also called Φαρμακεύτριαι ('The Sorceresses'), is a poem by the 3rd-century BC Greek poet Theocritus, usually categorised with Idylls XIV and XV as one of his 'urban mimes'. [1]
The sense of dum spiro spero can be found in the work of Greek poet Theocritus (3rd Century BC), who wrote: "While there's life there's hope, and only the dead have none." [2] That sentiment seems to have become common by the time of Roman statesman Cicero (106 – 43 BC), who wrote to Atticus: "As in the case of a sick man one says, 'While there is life there is hope' [dum anima est, spes ...
Idyll XXI, also called Ἁλιεῖς ('The Fisherman'), is a poem traditionally attributed to the 3rd century BC Greek poet Theocritus. [1] After some verses addressed to Diophantus, a friend about whom nothing is known, the poet describes the toilsome life of two old fishermen. [2]
In Eclogue 10, Virgil replaces Theocritus' Sicily and old bucolic hero, the impassioned oxherd Daphnis, with the impassioned voice of his contemporary Roman friend, the elegiac poet Gaius Cornelius Gallus, imagined dying of love in Arcadia. Virgil transforms this remote, mountainous, and myth-ridden region of Greece, homeland of Pan, into the ...