Search results
Results from the WOW.Com Content Network
Violet Jacob (1 September 1863 – 9 September 1946) was a Scottish writer known especially for her historical novel Flemington and for her poetry, mainly in Scots.She was described by a fellow Scottish poet Hugh MacDiarmid as "the most considerable of contemporary vernacular poets".
As writers such as George Douglas Brown railed against the "Kailyard school" that had come to dominate Scottish letters, producing satiric, realist accounts of Scottish rural life in novels like The House with the Green Shutters (1901), Scots language poets such as Violet Jacob and Marion Angus undertook a quiet revival of regionally inflected ...
The Scottish Renaissance — a 20th-century modernist Scottish literary & cultural movement For the 15th−16th century European Renaissance period in Scotland, see Category: Renaissance in Scotland .
Produced before his departure to Italy, Jacob More's series of four paintings "Falls of Clyde" (1771–73) have been described by art historian Duncan Macmillan as treating the waterfalls as "a kind of natural national monument" and has been seen as an early work in developing a romantic sensibility to the Scottish landscape. [48]
She associated in the pre-war Scottish Renaissance initially with revivalists like Violet Jacob, Alexander Gray and Lewis Spence, [13] and then with MacDiarmid and his cultural efforts in the 1920s and 1930s, through inclusion of her work in Scottish Chapbook and Northern Numbers. She also did radio work at that time. [1]
This is a non-diffusing parent category of Category:20th-century Scottish women painters The contents of that subcategory can also be found within this category, or in diffusing subcategories of it. Contents
The artist couple collaborated for the first time ever on their painting of Alexey Pertsev, the developer arrested for his role in creating Tornado Cash. Most Influential Artist: Trevor and Violet ...
The Edinburgh School is a group of 20th century artists connected with Edinburgh. They share a connection through Edinburgh College of Art, where most studied and worked together during or soon after the First World War. As friends and colleagues, they discussed painting and were influenced by one another's work.