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Aaron Thibeaux "T-Bone" Walker (May 28, 1910 – March 16, 1975) was an American blues musician, composer, songwriter and bandleader, who was a pioneer and innovator of the jump blues, West Coast blues, and electric blues sounds.
AllMusic reviewer arwulf arwulf stated: "Recorded in Paris during November 1968, Good Feelin' was the album that rekindled public interest in the life and music of Aaron "T-Bone" Walker throughout Europe and even in some portions of the United States of America. ... With T-Bone's electric guitar sizzling in its own juice and the horns ...
Super Black Blues is an album by the Super Black Blues Band featuring Otis Spann, Joe Turner and T-Bone Walker recorded in Los Angeles in 1969 and originally released by the BluesTime label. [1] [2] [3]
Funky Town is an album by blues guitarist and vocalist T-Bone Walker, released by the BluesWay label in 1968. [4] Critical reception
AllMusic reviewer Steve Leggett stated: "The high level of creativity in play here isn't obvious on a cursory listen, since a lot of the tracks favor the same sort of midtempo blues shuffle, but a closer listen reveals a stunning guitarist who plays the blues with a jazzman's soul, and while Walker isn't a flashy singer, he gets the job done with enough conviction that you can feel the country ...
T-Bone Walker at the American Folk Blues Festival in 1972 There are conflicting accounts about the recording date for "Call It Stormy Monday (But Tuesday Is Just as Bad)". In an interview, Walker claimed that he recorded the song in 1940 "just before the war" (the U.S. entered World War II December 7, 1941), but that it was not released because ...
T-Bone Walker: The Complete Recordings of T-Bone Walker 1940–1954: Mosaic Records: 1990 Greatest Hits: 1995 Otis Spann: Otis Spann Is the Blues: Candid Records: 1961 Studio: Big Joe Turner: The Boss of the Blues: Atlantic Records: 1956 Studio: The oldest album on the list 1996 Hound Dog Taylor & the Houserockers: Hound Dog Taylor & the ...
T-Bone Walker relocated to Los Angeles to record his most influential work in the 1940s. [1] His swing-influenced backing and lead guitar sound became an influential part of the electric blues. [1] It was T-Bone Walker, B.B. King once said, who “really started me to want to play the blues.