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Camp is an aesthetic and sensibility that regards something as appealing or amusing because of its heightened level of artifice, affectation and exaggeration, [1] [2] [3] especially when there is also a playful or ironic element. [4] [5] Camp is historically associated with LGBTQ culture and especially gay men.
The style of camp has been a part of fashion since around the 1960s. This creative style of camp has been used by people like Cher and Donatella Versace, and was worn at the 2019 met gala by celebrities like Harry Styles and Kim Kardashian. [1] [2] The visual style is closely associated with gay culture. [3]
Lawrence M. Bensky of The New York Times praised Styles of Radical Will as an "important book" and wrote, "It should be remembered that Miss Sontag has now written four of the most valuable intellectual documents of the past 10 years: 'Against Interpretation,' 'Notes on 'Camp',' 'The Aesthetics of Silence,' and 'Trip to Hanoi.'
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"Notes on 'Camp '" was first published as an essay in 1964, and was her first contribution to the Partisan Review. [3] The essay attracted interest in Sontag. The essay was republished in 1966 in Sontag's debut collection of essays, Against Interpretation. [4] The essay considers meanings and connotations of the word "camp". [2]
Aesthetics in textiles is one of the basic concepts of serviceability of textiles. It is determined by the perception of touch and sight. [1] [2] Aesthetics imply the appearance and attraction of textile products; it includes the color and texture of the material. It is a statement about the end user (consumer) and the target market.
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