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Poems of the Imagination (1815–1843); Miscellaneous Poems (1845–) 1798 Her eyes are Wild 1798 Former title: Bore the title of "The Mad Mother" from 1798–1805 "Her eyes are wild, her head is bare," Poems founded on the Affections (1815–20); Poems of the Imagination (1827–32); Poems founded on the Affections (1836–) 1798 Simon Lee 1798
List of Brontë poems; List of poems by Ivan Bunin; List of poems by Catullus; List of Emily Dickinson poems; List of poems by Robert Frost; List of poems by John Keats; List of poems by Philip Larkin; List of poems by Samuel Taylor Coleridge; List of poems by Walt Whitman; List of poems by William Wordsworth; List of works by Andrew Marvell
Sang Sinxay, the most famous epic poem of Laos, was written around mid sixteenth century. [6] Franciade (French) by Pierre de Ronsard (1540s–1572) Os Lusíadas by Luís de Camões (c. 1572) [7] L'Amadigi by Bernardo Tasso (1560) La Araucana by Alonso de Ercilla y Zúñiga (1569–1589) La Gerusalemme liberata by Torquato Tasso (1575)
Edgar Allan Poe (né Edgar Poe; January 19, 1809 – October 7, 1849) was an American writer, poet, editor, and literary critic who is best known for his poetry and short stories, particularly his tales involving mystery and the macabre.
Rococo, also known as Late Baroque, is the final expression of the Baroque movement that began in France in the 1730s and characterized by a cheerful lightness and intimacy of tone, and an elegant playfulness in erotic light poetry and principally small literary forms.
William Wordsworth (7 April 1770 – 23 April 1850) was an English Romantic poet who, with Samuel Taylor Coleridge, helped to launch the Romantic Age in English literature with their joint publication Lyrical Ballads (1798).
The Romantic movement in English literature of the early 19th century has its roots in 18th-century poetry, the Gothic novel and the novel of sensibility. [6] [7] This includes the pre-Romantic graveyard poets from the 1740s, whose works are characterized by gloomy meditations on mortality, "skulls and coffins, epitaphs and worms". [8]
Hours of Idleness, a collection of many of the previous poems, along with more recent compositions, was the culminating book. The savage, anonymous criticism it received (now known to be the work of Henry Peter Brougham) in the Edinburgh Review prompted Byron to compose his first major satire, [51] English Bards and Scotch Reviewers (1809). [36]