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"Mad Woman" is a song by the American singer-songwriter Taylor Swift from her eighth studio album, Folklore (2020). The song was written by Swift and its producer, Aaron Dessner . "Mad Woman" is a ballad that confronts gaslighting and the sexist taboo regarding women's anger.
"Johnny Get Angry" is a song written by Hal David and Sherman Edwards and performed by Joanie Sommers. It reached No.7 on the U.S. pop chart in 1962 and No. 4 on Canada's CHUM Chart. [1] [2] It was featured on her 1962 album Johnny Get Angry. [3] The track was arranged and produced by Stan Applebaum. [4]
"Angry" is a song by British rock band the Rolling Stones, which serves as the lead single from their studio album Hackney Diamonds. Released on 6 September 2023, it is the first new original music from the band in three years (following the non-album single "Living in a Ghost Town" in 2020), whilst Hackney Diamonds is their first album of new original music in 18 years (following A Bigger ...
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The song was released in 1990 and was written and sung by the band's frontwoman, Johnette Napolitano. The song was written in a cab on the way to a photo studio in Philadelphia; it was the last vocal recorded on the album due to Napolitano's reluctance to record the lyrics, which were hard for her to deal with.
Aside from the Detroit studio of album producer RJ Rice, the recording of Hello took place at a variety of studios in Los Angeles. [7]The first music video for the album was for the single "Angry Johnny"; it featured Poe on the skeletal frame of a bed looking forlorn whilst destroying a variety of effects one might associate with romance (like roses or a box of chocolates).
[7] [8] [9] The album featured a cover of the song "The Other Woman", written by Jessie Mae Robinson. The other songs on the album were written by Del Rey in collaboration with Blake Stranathan, Dan Heath, Rick Nowels, Barrie O’Neill, Greg Kurstin, Robbie Fitzsimmons, Dan Auerbach, and Harmony Korine.
The song was nominated for Best Female R&B Vocal Performance at the 49th Annual Grammy Awards (2007) but lost to Mary J. Blige's song "Be Without You" (2005). [40] Jody Rosen from The New Yorker credited the jarring timbral and tonal variations on the song for giving a new musical sound that didn't exist in the world before Knowles.