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The Cambridge Companions to Music form a book series published by Cambridge University Press. Each book is a collection of essays on the topic commissioned by the publisher. [1] The first was published in 1993, the Cambridge Companion to the Violin. Since then numerous volumes have been published nearly every year, covering a variety of ...
Occasionally, an adult with a small frame may use a so-called 7 ⁄ 8 size violin instead of a full-size instrument. Sometimes called a lady's violin, these instruments are slightly shorter than a full size violin, but tend to be high-quality instruments capable of producing a sound comparable to that of fine full size violins. The sizes of 5 ...
The abbreviations col 8, coll' 8, and c. 8 va stand for coll'ottava, meaning "with the octave", i.e. to play the notes in the passage together with the notes in the notated octaves. Any of these directions can be cancelled with the word loco , but often a dashed line or bracket indicates the extent of the music affected.
The viola is a larger version of the violin, and has on average a total body length of 27 + 1 ⁄ 4 inches (69.2 cm), with strings tuned a fifth lower than a violin (with a length of about 23 + 3 ⁄ 8 inches (59.4 cm)). The viola's larger size is not proportionally great enough to correspond to the strings being pitched as they are, which ...
[8] [1]: 8–9 This is why the chime is also played by the bells of the so-called Red Tower in Halle, the native town of Handel. In 1851, the chime was adopted by Edmund Beckett Denison (an amateur horologist , and graduate of Trinity College, Cambridge , who was familiar with the Great St Mary's chime) for the new clock at the Palace of ...
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Harvey Samuel Whistler Jr. was born September 7, 1907, in Fresno, California, [4] to hotel owners, Harvey Samuel and Sallie Byrn Whistler. [5] His mother, a classically trained pianist, insisted that music be part of Harvey Jr.’s education and oversaw his earliest training on piano.
W. H. Reed was also a composer in his own right and established a growing reputation. Some of his works were given their first performances at the Proms, the Three Choirs Festivals, and at Bournemouth, [2] [9] but his name as a composer was overshadowed by that of an Elgar biographer, and his works slipped from the repertoire.