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The song "Happy Birthday to You" is one of the best known songs in the world and generated over $2 million in royalties each year for Warner/Chappell Music, until September 2015, when a U.S. judge ruled that Warner/Chappell Music could not prove that it held a copyright to the song.
Some of these companies do not license dramatic performances of works, and some do. A dramatic performance of a work can be anywhere from a performance of an entire dramatic work, such as a musical, or a concert of a few of an artist's songs. ASCAP does not license dramatic performances, but The Rodgers and Hammerstein Organization does.
1) An association of copyright holders, ASCAP, may sum their collective costs to meet the damages threshold for federal jurisdiction. 2) A motion to dismiss allegations that raise "grave doubts about the constitutionality" of legislation should be denied. Buck v. Gallagher: 307 U.S. 95: 1939: 8–1: Substantive: Majority: Reed Dissent: Black
The same 100 listeners previously cost a service a little over seven-and-a-half cents from 1998 through 2005. If a service plays an average of 15 songs an hour, and a listener listens for 9.1 hours a week (the average amount according to recent Bridge reports), the listener would cost the service $0.66 a month. Noncommercial webcasters [6]
This page was last edited on 12 December 2024, at 20:37 (UTC).; Text is available under the Creative Commons Attribution-ShareAlike 4.0 License; additional terms may apply.
A recorded song would typically have 3 copyrights. The ‘musical work’ is the musical melody, harmony and rhythm, and the ‘literary work’ is the accompanying lyrics. The composer of the musical work is deemed to be the ‘author’ of the musical work and the person penning the lyrics in deemed to be the ‘author’ of the literary work.
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