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Passion is a one-act musical, with music and lyrics by Stephen Sondheim and a book by James Lapine. The story was adapted from Ettore Scola's 1981 film Passione d'Amore, and its source material, Iginio Ugo Tarchetti's 1869 novel Fosca. Central themes include love, sex, obsession, illness, passion, beauty, power and manipulation.
Other expressions are: не бачити тобі ... як своїх вух ("you'll never see [something] like you will never see your ears"); на кінський Великдень ("on horse's Easter"; побачиш як власну потилицю ("you'll see it like your own nape").
Passion and desire go hand in hand, especially as a motivation. Linstead & Brewis refer to Merriam-Webster to say that passion is an "intense, driving, or overmastering feeling or conviction". This suggests that passion is a very intense emotion, but can be positive or negative. Negatively, it may be unpleasant at times.
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A slow, moody, or decreased tempo or played or done in such a tempo. Also a genre of electronic music based on this drammatico Dramatic drone Bass note or chord performed continuously throughout a composition drop In jazz, a note that slides to an indefinite pitch chromatically downwards duolo (Ital.) grief dumpf (Ger.) Dull Dur (Ger.)
Reason is advocated in the control of passion, something seen as desirable and necessary for the development of a mature, civilized human being. This is achieved by the cultivation of virtue. Four virtues in particular have long been seen as of special value in this area of philosophy.
The reading of the Passion from one of the Gospels during Holy Week dates back at least to the 4th century [1] and is described by Egeria.In the 5th century Pope Leo the Great specified that the gospel of Matthew be used on Palm Sunday and the following Wednesday and that of John on Good Friday; by the 10th century Luke replaced Matthew on Wednesday and Mark was added on Tuesday.
In early psychology, it was believed that passion (emotion) was a part of the soul inherited from the animals and that it must be controlled. Solomon [ clarification needed ] identified that in the Romantic movement of the eighteenth and nineteenth centuries, reason and emotion were discovered to be opposites.