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A pentatonic scale is a musical scale with five notes per octave, in contrast to heptatonic scales, which have seven notes per octave (such as the major scale and minor scale). Pentatonic scales were developed independently by many ancient civilizations [ 2 ] and are still used in various musical styles to this day.
The FraKctured Zone is a King Crimson fan website with notation and tabs to songs in NST (with acknowledgment to Trey Gunn for permission). Wolfowitz, Kiefer (2013). "Harmonization of diatonic major scale on C; Progressions of chords: Triads and sevenths". New Standard Tuning C-G-D-A-E-G of Robert Fripp's Guitar Craft (PDF). Wikimedia Foundation
Chord-scale system. Heptatonic scale. Jazz scale. List of chord progressions. List of chords. List of musical intervals. List of pitch intervals. Arabian maqam. Modes of limited transposition.
Comparison of equal-tempered (black) and Pythagorean (green) intervals showing the relationship between frequency ratio and the intervals' values, in cents. Pythagorean tuning is a system of musical tuning in which the frequency ratios of all intervals are determined by choosing a sequence of fifths [2] which are "pure" or perfect, with ratio .
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The term blues scale refers to several different scales with differing numbers of pitches and related characteristics. A blues scale is often formed by the addition of an out-of-key "blue note" to an existing scale, notably the flat fifth addition to the minor pentatonic scale. However, the heptatonic blues scale can be considered a major scale ...
Guitar, vocals, mandolin, banjo, autoharp. Years active. 1986–present. Labels. Rootsworld. Website. www .hermanbrockjr .com. Herman Brock Jr. (born September 18, 1970) is a Dutch left-handed bluegrass, Americana and blues musician, multi-instrumentalist and singer-songwriter. He is also author of the series 'Secrets of the guitar'.
The Nashville Number System is a method of transcribing music by denoting the scale degree on which a chord is built. It was developed by Neal Matthews Jr. in the late 1950s as a simplified system for the Jordanaires to use in the studio and further developed by Charlie McCoy. [1] It resembles the Roman numeral [2] and figured bass systems ...
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