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As the culture recovered Sub-Mycenaean pottery finally blended into the Protogeometric style, which begins Ancient Greek pottery proper. [citation needed] The rise of vase painting saw increasing decoration. Geometric art in Greek pottery was contiguous with the late Dark Age and early Archaic Greece, which saw the rise of the Orientalizing period.
The earliest is the olpe (Ancient Greek: ὀλπή, romanized: olpḗ), with no distinct shoulder and usually a handle rising above the lip. The "type 8 oenochoe" is what one would call a mug, with no single pouring point and a slightly curved profile.
Greek pottery may be divided into four broad categories, given here with common types: [1] storage and transport vessels, including the amphora, pithos, pelike, hydria, stamnos, pyxis, mixing vessels, mainly for symposia or male drinking parties, including the krater, dinos, and kyathos,
Terracotta figurines are a wide range of small figurines made throughout the time span of Ancient Greece, and one of the main types of Ancient Greek pottery. Early figures are typically religious, modelled by hand, and often found in large numbers at religious sites, left as votive offerings.
The Protogeometric style (or Proto-Geometric) is a style of Ancient Greek pottery led by Athens and produced, in Attica and Central Greece, between roughly 1025 and 900 BCE, [1] [2] [3] during the Greek Dark Ages. [4] It was succeeded by the Early Geometric period. Earlier studies considered the beginning of this style around 1050 BCE. [5] [6]
Mycenaean pottery is the pottery tradition associated with the Mycenaean period in Ancient Greece. It encompassed a variety of styles and forms including the stirrup jar . The term "Mycenaean" comes from the site Mycenae , and was first applied by Heinrich Schliemann .
Black-figure pottery painting (also known as black-figure style or black-figure ceramic; Ancient Greek: μελανόμορφα, romanized: melanómorpha) is one of the styles of painting on antique Greek vases. It was especially common between the 7th and 5th centuries BC, although there are specimens dating in the 2nd century BC.
Pottery kraters were glazed on the interior to make the surface of the clay more impervious for holding water, and possibly for aesthetic reasons, since the interior could easily be seen. The exterior of kraters often depicted scenes from Greek life, such as the Attic Late 1 Krater, which was made between 760 and 735 B.C.E.