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Canonical hours. In the practice of Christianity, canonical hours mark the divisions of the day in terms of fixed times of prayer at regular intervals. A book of hours, chiefly a breviary, normally contains a version of, or selection from, such prayers. [1][2] In the Roman Rite of the Catholic Church, canonical hours are also called officium ...
Liturgy of the Hours. Cistercian monks praying the Liturgy of the Hours in Heiligenkreuz Abbey. The Liturgy of the Hours (Latin: Liturgia Horarum), Divine Office (Latin: Officium Divinum), or Opus Dei ("Work of God") are a set of Catholic prayers comprising the canonical hours, [a] often also referred to as the breviary, [b] of the Latin Church.
Catholic Church. Catholic liturgy means the whole complex of official liturgical worship, including all the rites, ceremonies, prayers, and sacraments of the Church, as opposed to private devotions. In this sense the arrangement of all these services in certain set forms (including the canonical hours, administration of sacraments, etc.) is meant.
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Books of hours (Latin: horae) are Christian prayer books, which were used to pray the canonical hours. [2] The use of a book of hours was especially popular in the Middle Ages , and as a result, they are the most common type of surviving medieval illuminated manuscript .
Nocturns. Opening verse of matins. Nocturns (Latin: nocturni or nocturna) is a Christian canonical hour said in the nighttime. In the liturgy of the Roman Rite of the Catholic Church, nocturns refer to the sections into which the canonical hour of matins was divided from the fourth or fifth century until after the Second Vatican Council. [1][2 ...
Matins. A Byzantine Rite priest during matins on Good Friday. Matins (also Mattins) is a canonical hour in Christian liturgy, originally sung during the darkness of early morning. The earliest use of the term was in reference to the canonical hour, also called the vigil, which was originally celebrated by monks from about two hours after ...
The canonical hours create a framework for the dramatization of Auden's religious position, which he described in a letter as "very much the same as Reinhold [Neibuhr]'s, i.e. Augustinian, not Thomist (I would allow a little more place, perhaps, for the Via Negativa.)