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Hephaestus had his own palace on Olympus, containing his workshop with anvil and twenty bellows that worked at his bidding. [10] Hephaestus crafted much of the magnificent equipment of the gods, and almost any finely wrought metalwork imbued with powers that appears in Greek myth is said to have been forged by Hephaestus.
The Romans identified Vulcan with the Greek smith-god Hephaestus. [16] Vulcan became associated like his Greek counterpart with the constructive use of fire in metalworking. A fragment of a Greek pot showing Hephaestus found at the Volcanal has been dated to the 6th century BC, suggesting that the two gods were already associated at this date. [12]
Fragment of a Hellenistic relief (1st century BC–1st century AD) depicting the twelve Olympians carrying their attributes in procession; from left to right: Hestia (scepter), Hermes (winged cap and staff), Aphrodite (veiled), Ares (helmet and spear), Demeter (scepter and wheat sheaf), Hephaestus (staff), Hera (scepter), Poseidon (trident), Athena (owl and helmet), Zeus (thunderbolt and staff ...
Bia and her siblings were constant companions of Zeus. [4] They achieved this honour after supporting him in the Titan War along with their mother. [5] Bia is one of the characters named in the Greek tragedy Prometheus Bound, attributed to Aeschylus, where Hephaestus is compelled by the gods to bind Prometheus after he was caught stealing fire and offering the gift to mortals.
The most important divine struggle in Greek mythology was the Gigantomachy, the battle fought between the Giants and the Olympian gods for supremacy of the cosmos. [37] It is primarily for this battle that the Giants are known, and its importance to Greek culture is attested by the frequent depiction of the Gigantomachy in Greek art.
In a version of the myth, [180] [181] Hephaestus gained revenge against Hera for rejecting him by making her a magical throne that did not allow her to leave once she sat on it. [179] The other gods begged Hephaestus to return to Olympus to let her go, but he repeatedly refused. [181]
Kratos and Bia, personifications of brute power and callous violence respectively, are engaged in fettering the silent Prometheus to a mountainside in Scythia, and are assisted in the task by the begrudging blacksmith of the gods, Hephaestus. [12] [13] Zeus, an off-stage character in this play, is portrayed as a tyrannical leader.
Polynices offering Eriphyle the necklace of Harmonia; Attic red-figure oenochoe ca. 450–440 BC. Louvre museum. The Necklace of Harmonia, also called the Necklace of Eriphyle, was a fabled object in Greek mythology that, according to legend, brought great misfortune to all of its wearers or owners, who were primarily queens and princesses of the ill-fated House of Thebes.