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The vi chord before the IV chord in this progression (creating I–vi–IV–V–I) is used as a means to prolong the tonic chord, as the vi or submediant chord is commonly used as a substitute for the tonic chord, and to ease the voice leading of the bass line: in a I–vi–IV–V–I progression (without any chordal inversions) the bass ...
Like the piece "Chopsticks", this version became widely known, even to those who never studied piano, and is sometimes mistakenly thought to be a folk tune. [1] The chord progression, often referred to as the "50s progression", [2] was employed in the doo-wop hits of the 1950s and 1960s.
Blues music influenced Halloween songs such as "I Put a Spell on You". [3] In the 1950s and 1960s, various doo-wop groups, groups influenced by blues music, began to release novelty Halloween-themed songs. "Monster Mash" is an example of such a novelty doo-wop Halloween song. Despite its Halloween themes, doo-wop Halloween music from this era ...
From perennial classics to love songs that are equally spooky, here are the 60 best songs to listen to at Halloween.
As an alias of The Mothers of Invention, Ruben and the Jets played doo-wop [2] and experimental pop songs. [8] Although the Mothers of Invention's "Jets" recordings generally tried faithfully reproduce the sound of 1950s doo-wop and rock and roll, [2] the arrangements included quotes from Igor Stravinsky pieces and unusual chord changes and tempos.
Halloween is one holiday that we reliably get excited about (no, it’s not just for...
Such composers as Rodgers and Hart (in their 1934 song "Blue Moon"), and Hoagy Carmichael and Frank Loesser (in their 1938 "Heart and Soul") used a I–vi–ii–V-loop chord progression in those hit songs; composers of doo-wop songs varied this slightly but significantly to the chord progression I–vi–IV–V, so influential that it is sometimes referred to as the '50s progression.
The enthusiasm doo-wop fans had for the Chords' music was dampened when Gem Records claimed that one of the groups on its roster was called the Chords; consequently the group changed their name to the Chordcats. [3] Their success was a one-off as subsequent releases, including "Zippity-Zum", all failed to chart. [3]
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