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Recognized for his design and conceptual abilities, Chorney was frequently enlisted to develop the preliminary designs for the final movie posters on films as diverse as Who Framed Roger Rabbit, the James Bond film Licence to Kill, [3] Indiana Jones and the Last Crusade, and many more.
The world's first film poster (to date), for 1895's L'Arroseur arrosé, by the Lumière brothers Rudolph Valentino in Blood and Sand, 1922. The first poster for a specific film, rather than a "magic lantern show", was based on an illustration by Marcellin Auzolle to promote the showing of the Lumiere Brothers film L'Arroseur arrosé at the Grand Café in Paris on December 26, 1895.
John Henry Alvin (November 24, 1948 [1] – February 6, 2008) [2] was an American cinematic artist and painter who illustrated many movie posters. [2] Alvin created posters and key art [1] for more than 135 films, beginning with the poster for Mel Brooks's Blazing Saddles (1974). [2]
William Gold (January 3, 1921 – May 20, 2018) was an American graphic designer best known for thousands of film poster designs. [1] [2] During his 70-year career, Gold worked with some of Hollywood's greatest filmmakers, including Laurence Olivier, Clint Eastwood, Alfred Hitchcock, Stanley Kubrick, Elia Kazan, and Ridley Scott.
Attachment tells the story of Maja, a washed-up actress from Denmark, who falls in love with Leah, a Jewish academic from London, England. When Leah suffers a mysterious seizure, Maja accompanies her back to London to help with her recovery. However, once there, Maja begins to suspect that something sinister is at play, particularly involving ...
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The poster for L'Arroseur arrosé has the distinction of being the first poster designed to promote an individual film. Although posters had been used to advertise cinematic projection shows since 1890, early posters were typically devoted to describing the quality of the recordings and touting the technological novelty of these shows. [ 6 ]
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