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Over time, object conservation as a profession has developed to the point where specialization for objects and the materials out of which they are made have become the standard of modern conservation. Conservation skills are now being taught at institutions such as the master's degree program in art conservation [4] at Winterthur and the ...
A conservation technician examining an artwork under a microscope at the Indianapolis Museum of Art. The conservation and restoration of books, manuscripts, documents, and ephemera is an activity dedicated to extending the life of items of historical and personal value made primarily from paper, parchment, and leather.
The conservator must understand that it's important to respect the integrity of the object and that his or her actions should not jeopardize the long-term preservation of the object. Understanding and appreciation of the aesthetic, cultural, economic, historical, political, religious, scientific, and social values of objects, buildings and ...
An Objects conservator is a professional, working in a museum setting or private practice, that specializes in the conservation of three-dimensional works. They undergo specialized education, training, and experience that allows them to formulate and implement preventive strategies and invasive treatment protocols to preserve cultural property ...
John F. Dean, Preservation and Conservation Librarian at Cornell University, has made contributions towards improving preservation efforts in developing countries. Specifically, Dean has created online tutorials for library conservation and preservation in Southeast Asia and Iraq and the Middle East.
2010 – The CollAsia 2010 Programme concludes. CollAsia provided capacity building in the Asia Pacific region for the conservation of movable heritage and taught the importance of integrating communities and intangible heritage into the conservation process. The first edition of the First Aid to Cultural Heritage (FAC) course is held in Rome.
A painting's natural aging process, as well as environmental factors, can require intervention by a paintings conservator to restore the work. Reasons for restoration may include water damage, tearing, flaking, and a weakened canvas. The primary goal of a paintings conservator conducting a restoration is to ensure the work is stable.
Conservation of cultural property applies simple ethical guidelines: Minimal intervention; Appropriate materials and reversible methods; Full documentation of all work undertaken. Often there are compromises between preserving appearance, maintaining original design and material properties, and ability to reverse changes.