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It depicts Jesus as a young man prior to his ministry, working as a carpenter. He is shown stretching his arms after sawing wood. The shadow of his outstretched arms falls on a wooden spar on which carpentry tools hang, creating a "shadow of death" prefiguring the crucifixion. The arch of the window also creates a natural halo around the head ...
The phrase is used many times in the Bible to describe God's powerful deeds during the Exodus: Exodus 6:6, Deuteronomy 4:34 5:15 7:19 9:29 11:2 26:8, Psalms 136:12. The phrase is also used to describe other past or future mighty deeds of God, in the following sources: II Kings 17:36, Jeremiah 21:5 27:5 32:17, Ezekiel 20:33 20:34, II Chronicles 6:32.
The statue is an iconic image of Jesus Christ with his arms outstretched, representing his message of love ... The first Christians also recognized Jesus' redemptive ...
Christ the Redeemer (Portuguese: Cristo Redentor, standard Brazilian Portuguese: [ˈkɾistu ʁedẽˈtoʁ]) is an Art Deco statue of Jesus in Rio de Janeiro, Brazil, created by French-Polish sculptor Paul Landowski and built by Brazilian engineer Heitor da Silva Costa, in collaboration with French engineer Albert Caquot.
And being in an agony he prayed more earnestly, and his sweat was as it were great drops of blood falling down to the ground." [1] The painting shows Christ kneeling in the garden with his arms outstretched and leaning backwards as if about to faint. He is held at the waist by an angel descending from a multi-coloured cloud.
He then adds that "the very structure of our body suggests the essential and primal outline of a cross. The head ascends to the peak, the spine stands upright, the shoulders traverse the spine. If you position a man with his arms outstretched, you shall have created the image of a cross." [14] [15]
Orans, a loanword from Medieval Latin orans (Latin: [ˈoː.raːns]) translated as "one who is praying or pleading", also orant or orante, as well as lifting up holy hands, is a posture or bodily attitude of prayer, usually standing, with the elbows close to the sides of the body and with the hands outstretched sideways, palms up.
19th century drawing of a crucifixion scene from a cross on the Calf of Man [5]. Christ is shown as still alive and with open eyes. [6] His head and outstretched arms are disproportionally large compared to the rest of his body, and he is clothed in a long chasuble (a type of liturgical vestment) that reaches to his knees.