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Cassidy advocated for creole languages to use an orthography, or writing style, that did not rely on European spelling conventions. The more the creole differs phonemically from the lexicalizing language (English, French, Dutch - whatever), the more it must differ in its orthography. It should be taught and learned in a system of its own ...
Patois (/ ˈ p æ t w ɑː /, pl. same or / ˈ p æ t w ɑː z /) [1] is speech or language that is considered nonstandard, although the term is not formally defined in linguistics.As such, patois can refer to pidgins, creoles, dialects or vernaculars, but not commonly to jargon or slang, which are vocabulary-based forms of cant.
Female patois speaker saying two sentences A Jamaican Patois speaker discussing the usage of the language. Jamaican Patois (/ ˈ p æ t w ɑː /; locally rendered Patwah and called Jamaican Creole by linguists) is an English-based creole language with influences from West African, Arawak, Spanish and other languages, spoken primarily in Jamaica and among the Jamaican diaspora.
The list of African words in Jamaican Patois notes down as many loan words in Jamaican Patois that can be traced back to specific African languages, the majority of which are Twi words. [ 1 ] [ 2 ] Most of these African words have arrived in Jamaica through the enslaved Africans that were transported there in the era of the Atlantic slave trade .
The name Mekatelyu is a transliteration of the phrase "make I tell you", or in standard English "let me tell you".. In Costa Rica, one common way to refer to Limonese is by the term "patois", a word of French origin used to refer to provincial Gallo-Romance languages of France that were historically considered to be unsophisticated "broken French"; these include Provençal, Occitan and Norman ...
Eh La Bas is a traditional New Orleans song.Originally it was sung with Cajun lyrics but was later given French lyrics and the common title from the French lyrics. There have been numerous versions, including English lyrics that refer to both the Cajun and French versions, and all employ a call and response.
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One of Oswald Durand's most famous works, the 1883 Choucoune is a lyrical poem that praises the beauty of a Haitian woman of that nickname. Michel Mauléart Monton, an American-born pianist with a Haitian father and American mother composed music for the poem in 1893, appropriating some French and Caribbean fragments to create his tune.
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