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An effects loop is a series of audio effects units, connected between two points of a signal path (the route that a signal would travel from the input to the output); usually between the pre-amp and power amp stages of an amplifier circuit, although occasionally between two pre-amp stages. The two principal uses of effects loops are in ...
The Fender Concert was a guitar amplifier made by Fender Musical Instruments. Its production can be split over 2 phases. Its production can be split over 2 phases. The first of these running from 1960 and until approximately 1965, at which time a typical Fender Concert was priced at $315.
A post master volume, transformer coupled, guitar level effects loop is also provided. [10] In addition, the amp contains much of the same circuitry as the original Single Channel non-reverb amp. In 2020 Jim Kelley began building a two channel version of the Line Amp. Unlike the FACS Line Amp, these amps feature two distinct inputs.
The Hot Rod DeVille is a modified version of the earlier Fender Blues DeVille from the Blues amplifier line and has a higher level of gain in its preamplification signal. The DeVille incorporates a 60 watt amplifier and has been offered in two different models: a 212, with 2, 12-inch speakers and a 410, with 4, 10-inch speakers. The 410 ...
The amplifier was reissued for the first time in 1988 (the 1959S), and again from 1991 to 1993 (the 1959X) and from 1993 to 1995 (the 1959SLP). [1] The SLP continued after 1995 but in 2000 Marshall added modifications to lower the noise floor (hum balance pot), reverted the negative feedback resistor to the 1968-69 value of 47 kΩ, and added an effects loop.
It is also the first Mesa amp to feature MIDI connections, which can control the channel switching, as well as controlling the FX loop and graphic EQs. Much like the Mark 5:25, the JP-2C features a built-in CabClone. The amp also features a switch to drop the amp's wattage down to 60 watts for use in smaller venues or recording.
More expensive amplifiers may have a patch bay for multiple inputs and outputs, such as a pre-amp out (for sending to another guitar amplifier), a second low gain input, to use with active basses, an in jack to create an effects loop (when used with the pre-amp out jack), an external speaker output (for powering an additional speaker cabinet ...
A few Dumble amps have a Dumbleator circuit built in, but most have "un-buffered" input jacks that tap directly out of the pre-amp and into the power amp. Dumble likely created this external loop because of the difficulty of fitting effects loop buffering into the amplifier chassis (and the limited use of effects loops for most players). The ...
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