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Gaudí tended to create patterns with his trencadís work, and he leaned towards brightly colored glazed ceramic shards. He often used discarded pieces of ceramic tile collected from the factory Pujol i Bausis located in Esplugues de Llobregat, as well as pieces of white ceramic from broken cups and plates discarded by other Spanish manufacturers.
Tesserae of a mosaic of doves drinking at a golden basin, 1st century AD, National Archaeological Museum, Naples, Italy. A tessera (plural: tesserae, diminutive tessella) is an individual tile, usually formed in the shape of a square, used in creating a mosaic. It is also known as an abaciscus or abaculus.
Printed Tile Art. Tile art is a small arrangement of tiles, or in some cases a single tile, with a painted pattern or image on top. Tile art includes other forms of tile-based art, such as mosaics, micromosaics, and stained glass. [1] Unlike mosaics, tile art can include larger pieces of tiles that are pre-decorated.
Ceramic tiles were not normally used for flooring in Roman buildings, though opus signinum, a favoured flooring material, was composed of concrete and crushed tile, and carefully cut small squares from tiles were often used in mosaic floors, tesserae about 2–3 cm. square being used for plain borders, and smaller squares, about 1 cm., where a ...
This mosaic is depicted in Hans Holbein's The Ambassadors. The general style of works of the Cosmati school is more closely related to Romanesque art , even though some of the buildings they worked in are Gothic , as in their main lines are their larger structures, especially in the elaborate altar-canopies, with their pierced geometrical tracery.
The pattern represented by every finite patch of tiles in a Penrose tiling occurs infinitely many times throughout the tiling. They are quasicrystals: implemented as a physical structure a Penrose tiling will produce diffraction patterns with Bragg peaks and five-fold symmetry, revealing the repeated patterns and fixed orientations of its tiles ...
The complexity and variety of patterns used evolved from simple stars and lozenges in the ninth century, through a variety of 6- to 13-point patterns by the 13th century, and finally to include also 14- and 16-point stars in the sixteenth century. Geometric patterns occur in a variety of forms in Islamic art and architecture.
Like other mosaics, Byzantine mosaics are made of small pieces of glass, stone, ceramic, or other material, which are called tesserae. [18] During the Byzantine period, craftsmen expanded the materials that could be turned into tesserae, beginning to include gold leaf and precious stones, and perfected their construction.