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The atrium testudinatum was employed when the atrium was small and another floor was built over it. [14] The name comes from the Latin word testudo, which means a turtle or tortoise, and by transference a covered vault. The Encyclopædia Britannica said that no example of this type had been found at Pompeii, as of 1911.
In a domus, a large house in ancient Roman architecture, the atrium was the open central court with enclosed rooms on all sides. In the middle of the atrium was the impluvium, a shallow pool sunken into the floor to catch rainwater from the roof. Some surviving examples are beautifully decorated.
The domus included multiple rooms, indoor courtyards, gardens and beautifully painted walls that were elaborately laid out. The vestibulum ('entrance hall') led into a large central hall: the atrium, which was the focal point of the domus and contained a statue of or an altar to the household
A domus, with impluvium numbered 7. The impluvium (pl.: impluvia) is a water-catchment pool system meant to capture rain-water flowing from the compluvium, an area of roof. [1] [2] Often placed in a courtyard, under an opening in the roof, and thus "inside", instead of "outside", a building, it is a notable feature in many architectural traditions.
Architectural details of a Domus italica with the tablinum marked number 5.. In Roman architecture, a tablinum (or tabulinum, from tabula, board, picture) was a room generally situated on one side of the atrium and opposite to the entrance; it opened in the rear onto the peristyle, with either a large window or only an anteroom or curtain.
A cubiculum (pl.: cubicula) was a private room in a domus, an ancient Roman house occupied by a high-status family. It usually led directly from the atrium, but in later periods it was sometimes adjacent to the peristyle.
The Republican atrium-tablinum-peristyle matrix remained in place in the House of Sallust despite its conversion to a primarily public establishment, so patron-client relationships may have persisted for its owner into the early Empire. The arrangement also facilitated the enticement of potential guests from the busy traffic on the Via Consolare.
The exedra achieved particular popularity in ancient Roman architecture during the Roman Empire.In the 1st century AD, Nero's architects incorporated exedrae throughout the planning of his Domus Aurea, enriching the volumes of the party rooms, a part of what made Nero's palace so breathtakingly pretentious to traditional Romans, for no one had ever seen domes and exedrae in a dwelling before.