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Before the development of current welding technology, sculptures made from metal were either cast or forged, and welding was primarily used in the construction industry. The first welded sculptures were credited to the Russian artist Vladimir Tatlin, [1] who created his first piece of art in 1913. Tatlin was an important figure in the Russian ...
A bowl made from cast-glass. The two halves are joined together by the weld seam, running down the middle. Glass casting is the process in which glass objects are cast by directing molten glass into a mould where it solidifies. The technique has been used since the 15th century BCE in both Ancient Egypt and Mesopotamia. Modern cast glass is ...
Traditionally, metal sculpture meant bronze casts, which artisans produced using a mold made by the artist. Smith, however, made his sculptures from scratch, welding together pieces of steel and other metals with his torch, in much the same way that a painter applied paint to a canvas; his sculptures are almost always unique works.
Bronze sculptures: For many bronze sculptures and other metal sculptures, treatment includes a reduction buildup from previous protective coatings, removal of corrosion and incrustation, or cleaning. This may be done by hand, water blasting, air abrasion, or other methods. Then, a wax or wax composite is applied to the sculpture in sweeping ...
The 1,000-pound stainless steel and glass statue was created by six artists and Clark College students collectively known as Women Who Weld in 2005, [1] and unveiled to residents in 2007. [2] [3] The statue was installed on the Columbia River waterfront trail east of Interstate 5 in 2008. The artwork commemorates those who worked at the Kaiser ...
Came glasswork is the process of joining cut pieces of art glass through the use of came strips or foil into picturesque designs in a framework of soldered metal. Final products include a wide range of glasswork, including stained glass and lead light pieces.
The wire is affixed to a base which is usually made of wood. The artist then begins fleshing out the sculpture by adding wax or clay over the wire. Depending on the material and technique, the armature may be left buried within the sculpture but, if the sculpture is to be hollowed out for firing, it must 1 be removed.
Fused and kiln-formed glass sculpture. Glass fusing is the joining together of pieces of glass at high temperature, usually in a kiln. [1] [2] This is usually done roughly between 700 °C (1,292 °F) and 820 °C (1,510 °F), [3] [4] and can range from tack fusing at lower temperatures, in which separate pieces of glass stick together but still retain their individual shapes, [5] to full fusing ...
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