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The name means "little sun", as a diminutive of shams, the Arabic word meaning "sun", [2] and the work is often stylised as a sunburst. It is characterized by the recurrent motifs present in Islamic art, such as the use of geometrical floral or vegetal forms in a repetitive design known as an arabesque.
Islamic art is a part of Islamic culture and encompasses the visual arts produced since the 7th century CE by people who lived within territories inhabited or ruled by Muslim populations. [1] Referring to characteristic traditions across a wide range of lands, periods, and genres, Islamic art is a concept used first by Western art historians in ...
He accepts Islam from Ibni Arabi which makes his brother angry and fakes his death by imprisoning him. He secretly helps Ertuğrul and the Kayis through Izadora. Eftalya (Zeynep Aydemir) – A Templar spy in Aleppo, disguised as El-Aziz's servant and love interest under the fake name 'Esma'. She frames Vizier Şahabettın for a poisoning.
Samsa may refer to: Samsa (writer), Indian playwright; Samsa (food), a central Asian samosa; Samsa (삼사), or the Three offices of Joseon, government bodies in Korea; Gregor Samsa, main character of Kafka's The Metamorphosis; Samsa (ザムザ), a commissioned song produced by Tenihowa for the game Project SEKAI COLORFUL STAGE!
Islamic ornament is the use of decorative forms and patterns in Islamic art and Islamic architecture. Its elements can be broadly divided into the arabesque , using curving plant-based elements, geometric patterns with straight lines or regular curves, and calligraphy , consisting of religious texts with stylized appearance, used both ...
Beyond religious contexts, Islamic calligraphy is widely used in secular art, architecture, and decoration. [7] Its prominence in Islamic art is not solely due to religious constraints on figurative imagery, but rather reflects the central role of writing and the written word in Islamic culture. [8]
Samar is a female name in Arabic and Islamic culture. Another meaning used as a female given name bears the meaning "the night and its blackness", where the saying goes: "lā âtiy-hi samara (لا آتيهِ سَمَرًا)", meaning "I wouldn't visit him at samar (that is, the night)" or another meaning used as the "brown" like the shadow of ...
The Hurufiyya movement (Arabic: حروفية ḥurūfiyyah adjectival form ḥurūfī, 'of letters' of the alphabet) is an aesthetic movement that emerged in the second half of the twentieth century amongst artists from Muslim countries, who used their understanding of traditional Islamic calligraphy within the precepts of modern art.