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"(We Want) The Same Thing" is a song by American singer Belinda Carlisle. Written by Rick Nowels and Ellen Shipley , it was produced by Nowels for Carlisle's third album, Runaway Horses (1989). In Japan, it was released simultaneously with " Leave a Light On " as the album's lead single on October 21, 1989, [ 1 ] [ 2 ] while in the United ...
The baritone ukulele usually uses linear G 6 tuning: D 3 –G 3 –B 3 –E 4, the same as the highest four strings of a standard 6-string guitar. Bass ukuleles are tuned similarly to the bass guitar and double bass : E 1 –A 1 –D 2 –G 2 for U-Bass style instruments (sometimes called contrabass), or an octave higher, E 2 –A 2 –D 3 –G ...
The Tahitian ukulele (ʻukarere or Tahitian banjo) is a short-necked fretted lute with eight nylon strings in four doubled courses, native to Tahiti and played in other regions of Polynesia. This variant of the older Hawaiian ukulele is noted by a higher and thinner sound and an open back, [ 1 ] and is often strummed much faster.
The I–V–vi–IV progression is a common chord progression popular across several music genres. It uses the I, V, vi, and IV chords of the diatonic scale. For example, in the key of C major, this progression would be C–G–Am–F. [1] Rotations include: I–V–vi–IV: C–G–Am–F; V–vi–IV–I: G–Am–F–C
Therefore, a seven-note diatonic scale allows seven basic diatonic triads, each degree of the scale becoming the root of its own chord. [1] A chord built upon the note E is an E chord of some type (major, minor, diminished, etc.) Chords in a progression may also have more than three notes, such as in the case of a seventh chord (V 7 is ...
Sadhana Sargam is an Indian singer, whose voice has been extensively recorded for thousands of tracks in Indian cinema. In addition to being a renowned playback singer, she is also a trained Hindustani classical singer who has recorded hundreds of bhajans, ghazals, and other spiritual tracks.
Other types of harmony are based upon the intervals of the chords used in that harmony. Most chords in western music are based on "tertian" harmony, or chords built with the interval of thirds. In the chord C Major7, C–E is a major third; E–G is a minor third; and G to B is a major third.
The A ♭ in the altered chord serves as a leading tone to G, which is the root of the next chord.. The object of such foreign tones is: to enlarge and enrich the scale; to confirm the melodic tendency of certain tones...; to contradict the tendency of others...; to convert inactive tones into active [leading tones]...; and to affiliate the keys, by increasing the number of common tones.
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