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Yemenite silver-work is noted for its intricate use of filigree and fine granulation. [2] [6] Jewellery containing a high silver content was called ṭohōr by local Jews, or muḫlaṣ in Arabic, and referred to jewellery whose silver content ranged from 85 to 92 percent, while the rest was copper.
A young girl was buried with: 2 silver fibulae, a necklace (with coins), bracelet, gold earrings, a pair of hair-pins, comb, and buckle. [49] The Celts specialised in continuous patterns and designs, while Merovingian designs are best known for stylised animal figures. [50] They were not the only groups known for high quality work.
This page was last edited on 6 February 2025, at 11:20 (UTC).; Text is available under the Creative Commons Attribution-ShareAlike 4.0 License; additional terms may apply.
Jewellery of a Berber woman in the Musée du quai Branly, Paris. Jewellery of the Berber cultures (Tamazight language: iqchochne imagine, ⵉⵇⵇⵛⵓⵛⵏ ⵉⵎⴰⵣⵉⵖⵏ) is a historical style of traditional jewellery that was worn by women mainly in rural areas of the Maghreb region in North Africa and inhabited by Indigenous Berber people (in the Berber language Tamazight ...
While pure gold is 24 karat, 18 and 15 karat gold benefit from their alloys. 18 karat gold is much more durable and harder than 24, and 15 karat is so much more durable and 'hard' than 18 karat. Some jewelry of the Regolini-Galassi tomb was too; thin, delicate and big to have been worn while more robust and less poutre gold ornamentation was ...
[276] [277] Agnes Gray, Lady Home, surrendered a jewel with fifteen diamonds set in gold with white enamel and a pearl "carcat" necklace which together had been her security for a loan of £600 Scots. [278] The lawyer Robert Scott returned a "carcan" or garnishing, circled about with pearls, rubies and diamonds. [279]
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