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My Favourite Headache (also published as My Favorite Headache, especially in the US) is the debut solo album by Geddy Lee of Canadian rock band Rush. The album was released on November 14, 2000, by Anthem Records in Canada and Atlantic Records outside of Canada. Both the title track and "Grace to Grace" received play on mainstream rock radio.
Geddy Lee Weinrib (/ ˈ ɡ ɛ d i /; born Gary Lee Weinrib, July 29, 1953) is a Canadian musician, best known as the lead vocalist, bassist, and keyboardist for the rock group Rush. [4] Lee joined the band in September 1968 at the request of his childhood friend Alex Lifeson , replacing original bassist and frontman Jeff Jones .
This is a comprehensive list of compositions performed or recorded by the Canadian rock band Rush or its principal members Alex Lifeson, Geddy Lee, and Neil Peart, including contributions made to other artists.
"A Farewell to Kings" is a song by the Canadian progressive rock band Rush. It was released as the title track to their 1977 album A Farewell to Kings. A music video to the song was uploaded to YouTube in March 2018. [1] "A Farewell to Kings" is about dealing with hypocrisy, and finding your own way by looking within yourself. [2]
Feedback is an EP by Canadian rock band Rush, released in 2004.The record features eight covers of songs that were influential for the band members during the 1960s. The outing marked the 30th anniversary of both the release of Rush's debut album, which featured the original lineup of Geddy Lee, Alex Lifeson and John Rutsey, and of Neil Peart's joining the band in the wake of Rutsey's departure.
"Limelight" is a song by Canadian progressive rock band Rush. It first appeared on the 1981 album Moving Pictures. The song's lyrics were written by Neil Peart with music written by Geddy Lee and Alex Lifeson. "Limelight" expresses Peart's discomfort with Rush's success and the resulting attention from the public.
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Geddy Lee gave a somewhat unfavorable mention of this song in a 1993 interview: [4] A lot of the early stuff I'm really proud of. Some of it sounds really goofy, but some of it stands up better than I gave it credit for. As weird as my voice sounds when I listen back, I certainly dig some of the arrangements.