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Moreover, it is not we who are univocal in a Being which is not; it is we and our individuality which remains equivocal in and for a univocal Being." [ 5 ] Deleuze at once echoes and inverts Spinoza , [ 6 ] who maintained that everything that exists is a modification of the one substance , God or Nature .
Höpöhöpö Böks by Icelandic poet Eiríkur Örn Norðdahl is a univocal lipogram using only the vowel Ö. It is composed as a tribute to Christian Bök's Eunoia. [3] Eszperente is a univocalic form of Hungarian in which no vowels can be used other than "E". This task is eased somewhat as "E" is a common vowel in Hungarian.
Aquinas noted three forms of descriptive language when predicating: univocal, analogical, and equivocal. [7] Univocality is the use of a descriptor in the same sense when applied to two objects or groups of objects. For instance, when the word "milk" is applied both to milk produced by cows and by any other female mammal.
The term is, however, frequently taken to mean the determination arising from the physical accoutrements of an object: one's shoes, one's arms, etc. Traditionally, this category is also called a habitus (from Latin habere, to have). Doing or action (ποιεῖν, poiein, to make or do).
Medieval theologian Thomas Aquinas took the distinction between the univocal and equivocal terms from Aristotle's Categories and also an intermediate but distinct kind: analogical terms where you understand something greater by the measure of something lesser. [f] For Aquinas, "nothing can be said in the same sense of God and creatures."
This would result in the formation of three secondary categories: the first, "Community" was an example that Kant gave of such a derivative category; the second, "Modality", introduced by Kant, was a term which Hegel, in developing Kant's dialectical method, showed could also be seen as a derivative category; [37] and the third, "Spirit" or ...
The plane of immanence thus is often called a plane of consistency accordingly. As a geometric plane, it is in no way bound to a mental design but rather an abstract or virtual design; which for Deleuze, is the metaphysical or ontological itself: a formless, univocal, self-organizing process which always qualitatively differentiates from itself.
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