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The hair on his head were white like wool, and his eyes were like blazing fire. His feet were like burnt bronze glowing in a furnace (...) His face was like the sun shining in all its brilliance" (Revelation 1:12–16, NIV). Use in art of the Revelation description of Jesus has generally been restricted to illustrations of the book itself, and ...
The painting depicts the moment when the resurrected but incognito Jesus reveals himself to two of his disciples (presumed to be Luke and Cleopas) in the town of Emmaus, only to soon vanish from their sight (Gospel of Luke 24: 30–31). Cleopas wears the scallop shell of a pilgrim. The other apostle wears torn clothes.
Jesus and the two disciples On the Road to Emmaus, by Duccio, 1308–1311, Museo dell'Opera del Duomo, Siena. According to the Gospel of Luke, the road to Emmaus appearance is one of the early post-resurrection appearances of Jesus after his crucifixion and the discovery of the empty tomb.
The last episode, far less commonly shown, is the Farewell Discourse, the farewell of Jesus to his disciples. By this point Judas Iscariot is no longer present, having left the supper; it is mostly found in Italian trecento painting. The depictions here are generally melancholy, as Jesus prepares his disciples for his departure. [1]
The Head of Christ, also called the Sallman Head, is a 1940 portrait painting of Jesus of Nazareth by Warner Sallman (1892–1968). As an extraordinarily successful work of Christian popular devotional art , [ 1 ] it had been reproduced over half a billion times worldwide by the end of the 20th century. [ 2 ]
Calvin also believed that the acts of Jesus at the Last Supper should be followed as an example, stating that just as Jesus gave thanks to the Father before breaking the bread, [83] those who go to the Lord's table to receive the sacrament of the Eucharist must give thanks for the "boundless love of God" and celebrate the sacrament with both ...
This category is for specific works that include depictions of Jesus in the visual arts. For articles covering ways of depicting scenes or types of depictions of Jesus in general, see the sub-category Category:Iconography of Jesus. For images of Jesus as an infant with his mother, see Category:Madonna and Child in art.
The Last Supper shows images of Jesus and the Apostles sitting around a pronent dining table in the shape of a U. [1] Disciples converse, and both Judas and John lean toward Jesus, as is tradition. [1] Jesus is shown near the center, with his right hand raised and index and middle fingers together, which is an archetypal gesture of bestowed ...