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[97]: 44 She wrote that the film reflects "the battle between intervention and isolationism" then being waged in the United States; the film was released six months before the attack on Pearl Harbor, while President Franklin D. Roosevelt was laboring to win public opinion for entering World War II. "In the rhetoric of Citizen Kane," Mulvey ...
In 1940, Orson Welles, RKO studio head George Schaefer, and screenwriter Herman J. Mankiewicz struggle in making what will be considered the greatest American film, Citizen Kane. Welles and Mankiewicz attend a party at Hearst Castle where meeting the hypocritical and tyrannical William Randolph Hearst gives Welles the inspiration to make a film ...
During World War II, Citizen Kane was not seen in most European countries. It was shown in France for the first time on July 10, 1946, at the Marbeuf theater in Paris. [7]: 34–35 [a] Initially most French film critics were influenced by the negative reviews of Jean-Paul Sartre in 1945 and Georges Sadoul in 1946.
Mank is a 2020 American biographical drama film about screenwriter Herman J. Mankiewicz and his development of the screenplay for the 1941 film Citizen Kane.It was directed by David Fincher based on a screenplay written by his late father Jack Fincher and was produced by Ceán Chaffin, Douglas Urbanski, and Eric Roth.
The Battle Over Citizen Kane is a 1996 American documentary film directed and produced by Thomas Lennon and Michael Epstein, from a screenplay by Lennon and Richard Ben Cramer, who also narrates. [1] It chronicles the clash between Orson Welles and William Randolph Hearst over the production and release of Welles's 1941 film Citizen Kane ...
This list of World War II films (1950–1989) contains fictional feature films or miniseries released since 1950 which feature events of World War II in the narrative. The entries on this list are war films or miniseries that are concerned with World War II (or the Sino-Japanese War) and include events which feature as a part of the war effort.
In his audio commentary for the 2013 Blu-ray release of The Stranger, Wood calls it "an undervalued film" due to the absence of the "stylistic swagger" of Citizen Kane and The Magnificent Ambersons. He regards Welles's third completed film as "deceptive and much more complex stylistically and thematically" than has so far been appreciated.
In a few months Citizen Kane will be 80 years old, all involved now long-since departed, its status as one of the greatest films of all time as solid as ever. You’d think any old beefs would by ...
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