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Source Audio is a guitar effects pedal company based near Boston, Massachusetts.They produce modular effects pedals for electric guitar and bass, such as the Nemesis Delay, Ventris Dual Reverb, and Collider Delay+Reverb, as well as the C4 Synth, a modular rack synthesizer in pedal format, the Aftershock Bass Distortion, and the EQ2, a 10-band parametric equalizer with a plug-in style desktop ...
Scholz Research & Development, Inc. was the name of the company founded by musician and engineer Tom Scholz to design and manufacture music technology products. Scholz is an MIT -trained engineer who developed many of his skills as a product design engineer working on audio-production equipment at Polaroid in the early 1970s.
The first class-D amplifier was invented by British scientist Alec Reeves in the 1950s and was first called by that name in 1955. The first commercial product was a kit module called the X-10 released by Sinclair Radionics in 1964. However, it had an output power of only 2.5 watts. The Sinclair X-20 in 1966 produced 20 watts but suffered from ...
Digital biquad filter. In signal processing, a digital biquad filter is a second order recursive linear filter, containing two poles and two zeros. "Biquad" is an abbreviation of " biquadratic ", which refers to the fact that in the Z domain, its transfer function is the ratio of two quadratic functions: The coefficients are often normalized ...
Blackstar Amplification is a British company that produces and manufacturers guitar amplifiers and effects units. The company was founded by a group of ex- Marshall employees, most notably Bruce Keir, who became technical Director at Blackstar, and former Chief Design Engineer at Marshall, Ian Robinson. [1][2] In 2009 the company began ...
Equalization, or simply EQ, in sound recording and reproduction is the process of adjusting the volume of different frequency bands within an audio signal. The circuit or equipment used to achieve this is called an equalizer. [1][2] Most hi-fi equipment uses relatively simple filters to make bass and treble adjustments.
Digital room correction may involve minimum phase algorithms, to maintain wavefront coherence over the intended frequency range. The use of analog filters, such as equalizers, to normalize the frequency response of a playback system has a long history; however, analog filters are very limited in their ability to correct the distortion found in many rooms.
RIAA equalization is a form of pre-emphasis on recording and de-emphasis on playback. A recording is made with the low frequencies reduced and the high frequencies boosted, and on playback, the opposite occurs. The net result is a flat frequency response, but with attenuation of high-frequency noise such as hiss and clicks that arise from the ...
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