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E-flat major. E-flat major is a major scale based on E ♭, consisting of the pitches E ♭, F, G, A ♭, B ♭, C, and D. Its key signature has three flats. Its relative minor is C minor, and its parallel minor is E ♭ minor, (or enharmonically D ♯ minor). The E-flat major scale is:
Antonio Vivaldi used this key for the "Spring" concerto from The Four Seasons.. Johann Sebastian Bach used E major for a violin concerto, as well as for his third partita for solo violin; the key is especially appropriate for the latter piece because its tonic (E) and subdominant (A) correspond to open strings on the violin, enhancing the tone colour (and ease of playing) of the bariolage in ...
Symphony No. 3 (Beethoven) The Symphony No. 3 in E ♭ major, Op. 55, (also Italian Sinfonia Eroica, Heroic Symphony; German: Eroica, pronounced [eˈʁoːikaː] ⓘ) is a symphony in four movements by Ludwig van Beethoven. One of Beethoven's most celebrated works, the Eroica symphony is a large-scale composition that marked the beginning of the ...
The scale degree chords of C minor are: Tonic – C minor; Supertonic – D diminished; Mediant – E-flat major; Subdominant – F minor; Dominant – G minor; Submediant – A-flat major; Subtonic – B-flat major
the chord quality (e.g. minor or lowercase m, or the symbols o or + for diminished and augmented chords, respectively; chord quality is usually omitted for major chords), whether the chord is a triad, seventh chord, or an extended chord (e.g. Δ 7), any altered notes (e.g. sharp five, or ♯ 5), any added tones (e.g. add2), and
Circle of fifths showing major and minor keys. In music theory, the circle of fifths (sometimes also cycle of fifths) is a way of organizing pitches as a sequence of perfect fifths. Starting on a C, and using the standard system of tuning for Western music (12-tone equal temperament), the sequence is: C, G, D, A, E, B, F ♯ /G ♭, C ♯ /D ...
The second movement of Haydn's 43rd symphony in E-flat major is in A-flat major. Frédéric Chopin used this key in many of his works, particularly in his waltzes. Since A-flat major was rarely chosen as the main key for orchestral works of the 18th century, passages or movements in the key often retained the timpani settings of the preceding ...
Neapolitan chord. In Classical music theory, a Neapolitan chord (or simply a " Neapolitan ") is a major chord built on the lowered (flattened) second (supertonic) scale degree. In Schenkerian analysis, it is known as a Phrygian II, [1] since in minor scales the chord is built on the notes of the corresponding Phrygian mode.
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