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Bongo Flava is a large divergent evolution of muziki wa kizazi kipya, meaning "music of the new generations", which originated in the middleclass youth of Kinondoni District of Dar es Salaam between the mid-1980s and 1990s. [10]
Bongopiano is a fusion genre that blends bongo flava music and amapiano, emerging in Tanzania during the 2020s. In the 2020s, numerous prominent Tanzanian musical artists including Diamond Platnumz, Marioo, Harmonize, Nandy, Jux, Mbosso and Zuchu released notable bongopiano songs. [24]
The five music genres in Tanzania, as defined by BASATA are, ngoma, dansi, kwaya, and taarab, with bongo flava being added in 2001. [1][2] Singeli has since the mid-2000s been an unofficial music of uswahilini, unplanned communities in Dar es Salaam, and is the newest mainstream genre since 2020. [3]
Bongo Bong. " Bongo Bong " is the first solo single by Manu Chao, from his debut album, Clandestino. It is a remake of "King of Bongo", a track from Manu Chao's previous band, Mano Negra. The title and lyrics are taken from the 1939 jazz song "King of Bongo Bong" by Black American trumpeter Roy Eldridge. It also uses the background music from ...
2015-present. Labels. Bad-Nation Limited. Website. Website. Omary Ally Mwanga (born 31 December 1995), known professionally as Marioo, is a Tanzanian singer, songwriter, and music producer. He is known for his hits such as Bia Tamu, Mama Amina, Dear Ex, Raha, Mi Amor and Naogopa, songs that have made him a household name in Tanzania.
Son cubano. Son cubano is a genre of music and dance that originated in the highlands of eastern Cuba during the late 19th century. It is a syncretic genre that blends elements of Spanish and African origin. Among its fundamental Hispanic components are the vocal style, lyrical metre and the primacy of the tres, derived from the Spanish guitar.
Ethiopian music is a term that can mean any music of Ethiopian origin, however, often it is applied to a genre, a distinct modal system that is pentatonic, with characteristically long intervals between some notes. The music of the Ethiopian Highlands uses a fundamental modal system called qenet, of which there are four main modes: tezeta, bati ...
The Latin music scene of New York, and the US in general, was primarily constituted by Puerto Ricans, and many influential bongoseros were Puerto Ricans who learned from Cubans. An early example is Rafael "Congo" Castro, who arrived in New York in 1924 and had a long career as a bongosero in Chicago until the 1980s. [ 41 ]
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