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Vellum. Vellum is prepared animal skin or membrane, typically used as writing material. It is often distinguished from parchment, either by being made from calfskin (rather than the skin of other animals), [1] or simply by being of a higher quality. [2] Vellum is prepared for writing and printing on single pages, scrolls, and codices (books).
The timeline of ownership of the Voynich manuscript is given below. The time when it was possibly created is shown in green (early 1400s), based on carbon dating of the vellum . [ 54 ] Periods of unknown ownership are indicated in white.
Wove paper. Wove paper is a type of paper first created centuries ago in the Orient, and subsequently introduced to England, Europe and the American colonies in the mid-eighteenth century. [1] Hand-made wove paper was first produced by using a wooden mould that contained a finely-woven brass vellum (wire cloth), upon which the paper pulp was ...
Woman's stays c. 1730–1740. Silk plain weave with supplementary weft-float patterning, stiffened with whalebone. Los Angeles County Museum of Art, M.63.24.5. [1]The corset is a supportive undergarment for women, dating, in Europe, back several centuries, evolving as fashion trends have changed and being known, depending on era and geography, as a pair of bodies, stays and corsets.
Y-shaped breast bands on a bronze statue of Artemis, (mid-4th century BCE). The history of bras (brassières; variously pronounced) is closely tied to the social status of women, the evolution of fashion, and shifting views of the female body over time. Throughout history, women have used various garments to support, cover, restrain, reveal ...
Women's Work: The First 20,000 Years: Women, Cloth, and Society in Early Times. W. W. Norton & Company, new edition, 1995. (Barber 1995) Bender Jørgensen, Lise. 'Stone-Age Textiles in North Europe'. In Textiles in Northern Archaeology, Textile Symposium in York, North European Symposium for Archaeological Textiles Monograph 3 (NESAT III ...
The vase, c. 550-530 B.C.E., depicts two women weaving at an upright loom. The warp threads, which run vertically to a bar at the top, are tied together with weights at the bottom, which hold them taut. The woman on the right runs the shuttle containing the weaving thread across the middle of the warp.
In 1942–1945, more American women entered the workforce than ever before. [25] Unlike previous decades, American manufacturers did not look to Parisian couture designs for inspiration, but developed their own clothing styles, within the limits set by war-time necessity.