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There are generally 3 classifications of breaks: speed breaks, power breaks, and soft breaks. Additionally, there is a 4th, lesser-known, classification known as the impulse break. [3] [4] Speed breaks are breaks where the striking object is not held in place. The only way to break the object is to strike the surface with sufficient speed at a ...
A unique feature about Aristotle's definition of "physis" was his relationship between art and nature. Aristotle said that "physis" (nature) is dependent on techne (art). "The critical distinction between art and nature concerns their different efficient causes: nature is its own source of motion, whereas techne always requires a source of ...
In philosophy, deconstruction is a loosely-defined set of approaches to understanding the relationship between text and meaning. The concept of deconstruction was introduced by the philosopher Jacques Derrida , who described it as a turn away from Platonism 's ideas of "true" forms and essences which are valued above appearances.
Fracture is the appearance of a crack or complete separation of an object or material into two or more pieces under the action of stress.The fracture of a solid usually occurs due to the development of certain displacement discontinuity surfaces within the solid.
Lacquerware is a longstanding tradition in Japan [6] [7] and, at some point, kintsugi may have been combined with maki-e as a replacement for other ceramic repair techniques. . While the process is associated with Japanese craftsmen, the technique was also applied to ceramic pieces of other origins including China, Vietnam, and Kor
A theory of art is intended to contrast with a definition of art. Traditionally, definitions are composed of necessary and sufficient conditions, and a single counterexample overthrows such a definition. Theorizing about art, on the other hand, is analogous to a theory of a natural phenomenon like gravity.
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The definition of Mannerism, and the phases within it, continues to be the subject of debate among art historians. Northern or Antwerp Mannerism predates and is distinct from Italian Mannerism. Antwerp during its 16th-century boom produced a style that was the last phase of Early Netherlandish painting with Early Renaissance elements.