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The tusks are ivory sculptures adorned with intricate carvings that depict aspects of the Benin Kingdom's history, mythology, and rituals. [18] Measuring about 61 inches (1,500 mm) in height, 5.2 inches (130 mm) in width, 4.7 inches (120 mm) in depth and weighing 25 kilograms (55 lb) according to a sample from the British Museum , it is a ...
Direct images of African deities are relatively infrequent, but masks in particular are or were often made for traditional African religious ceremonies; today many are made for tourists as "airport art". [2] African masks were an influence on European Modernist art, which was inspired by their lack of concern for naturalistic depiction.
The study of African art until recently focused on the traditional art of certain well-known groups on the continent, with a particular emphasis on traditional sculpture, masks and other visual culture from non-Islamic West Africa, Central Africa, [15] and Southern Africa with a particular emphasis on the 19th and 20th centuries. Recently ...
The metal pieces were made using lost-wax casting and are considered among the best African sculptures made using this technique. [21] Benin began to trade ivory, pepper, and slaves [ 22 ] with the Portuguese in the late 15th century and incorporated the use of manillas (brass ingots in the form of bracelets, bought from the Portuguese) as a ...
In the period around 1300 CE the artists at Ife developed a refined and naturalistic sculptural tradition in terracotta, stone and copper alloy—copper, brass, and bronze— many of which appear to have been created under the patronage of King Obalufon II, the man who today is identified as the Yoruba patron deity of brass casting, weaving and regalia. [3]
African folk art consists of a variety of items: household objects, metal objects, toys, textiles, masks, and wood sculpture. Most traditional African art meets many definitions of folk art generally, or at least did so until relatively recent dates.
Teeth were made by inserting clay pegs between the lip gaps. There is a large gap depicted between the two left side teeth. This specimen represents a differing morphology compared to the other six heads. The face of this specimen was created to bulge outwards and down wards with the nose being set low towards the exaggerated lips.
The Armory Show and its promotion of Modernism also helped create a taste and a market for African art in New York. [5] Notably, in 1914 two New York galleries introduced African sculpture to their audiences: Robert J. Coady’s newly opened Washington Square Gallery and Alfred Stieglitz's well-established Little Galleries of the Photo ...
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