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"Stop Your Fussin '" is a song by American-Australian singer-songwriter Toni Childs from her first studio album, Union (1988). Childs wrote the song with David Ricketts, and they both co-produced the track with David Tickle. The song was first released in Japan in July 1988 as Child's debut single and was issued in Australia, Europe, and the ...
"Stop Your Fussin'" reached the top 20 in Australia, New Zealand, and Germany while "Don't Walk Away" became Childs' only single to chart in the United States, reaching number 72 there. [ 4 ] [ 5 ] The album was recorded in London, Paris, and Swaziland .
Music videos were produced for the songs "Don't Walk Away", "Stop Your Fussin'", and "Walk And Talk Like Angels". These were made available on the VHS "Toni Childs: The Videos". The song "Dreamer" was included in the soundtrack to the film "Moonlight and Valentino" soundtrack.
A chord chart. Play ⓘ. A chord chart (or chart) is a form of musical notation that describes the basic harmonic and rhythmic information for a song or tune. It is the most common form of notation used by professional session musicians playing jazz or popular music.
You Can Play These Songs with Chords is an early (1996–97) demo from the rock band Death Cab for Cutie, which at the time consisted entirely of founder Ben Gibbard.This demo was originally released on cassette by Elsinor Records.
It does not accurately represent the chord progressions of all the songs it depicts. It was originally written in D major (thus the progression being D major, A major, B minor, G major) and performed live in the key of E major (thus using the chords E major, B major, C♯ minor, and A major). The song was subsequently published on YouTube. [9]
A guitarist performing a C chord with G bass. In Western music theory, a chord is a group [a] of notes played together for their harmonic consonance or dissonance.The most basic type of chord is a triad, so called because it consists of three distinct notes: the root note along with intervals of a third and a fifth above the root note. [1]
The chord had been found in earlier works, [3] notably Beethoven's Piano Sonata No. 18, but Wagner's use was significant, first because it is seen as moving away from traditional tonal harmony and even towards atonality, and second because with this chord Wagner actually provoked the sound or structure of musical harmony to become more ...
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