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Citizen Kane is a 1941 American drama film directed by, produced by and starring Orson Welles and co-written by Welles and Herman J. Mankiewicz. It was Welles's first feature film. [5] Citizen Kane is frequently cited as the greatest film ever made. [6]
Citizen Kane is a 1941 American drama film directed by, produced by, and starring Orson Welles. Welles and Herman J. Mankiewicz wrote the screenplay. Citizen Kane is frequently cited as the greatest film ever made. [1] Citizen Kane was the only film made under Welles's original contract with RKO Pictures, which gave him complete creative control.
Welles in Citizen Kane (1941) RKO rejected Welles's first two movie proposals, [67]: 3–15 but agreed on the third offer—Citizen Kane. Welles co-wrote, produced, directed and starred in the film. [68] Welles conceived the project with screenwriter Herman J. Mankiewicz, who was writing radio plays for The Campbell Playhouse.
[208] [209] By 1956, RKO's classic movies were playing widely on television, often in the Million Dollar Movie format, allowing many to see such films as Citizen Kane and King Kong for the first time. The $15.2 million RKO made on the deal convinced the other major studios that their libraries held profit potential—a turning point in the way ...
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A number of publications have labeled The Room as one of the worst films ever made, one even describing it as "the Citizen Kane of bad movies". [6] Originally shown only in a limited number of California theaters , The Room quickly became a cult film due to its bizarre and unconventional storytelling, technical and narrative issues, and Wiseau ...
The Battle Over Citizen Kane is a 1996 American documentary film directed and produced by Thomas Lennon and Michael Epstein, from a screenplay by Lennon and Richard Ben Cramer, who also narrates. [1] It chronicles the clash between Orson Welles and William Randolph Hearst over the production and release of Welles's 1941 film Citizen Kane ...
The assumption that the character of Susan Alexander Kane was based on Marion Davies was a major reason Hearst tried to destroy Citizen Kane. [34] Davies's nephew Charles Lederer insisted that Hearst and Davies never saw Citizen Kane, but condemned it based on the outrage expressed by trusted friends. Lederer believed that any implication that ...
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