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Source Audio is a guitar effects pedal company that was founded in Woburn, Massachusetts in 2006. They produce modular effects pedals for electric guitar and bass, such as the Nemesis Delay, Ventris Dual Reverb, and Collider Delay+Reverb, as well as the C4 Synth, a modular rack synthesizer in pedal format, the Aftershock Bass Distortion, and the EQ2, a 10-band parametric equalizer with a plug ...
The Marshall Major (Model 1967 [1]) was a bass guitar amplifier made by Marshall. It was introduced in 1967 as the "Marshall 200" (in reference to the power of the amplifier). It had a plexi panel and two inputs in one channel, but in contrast with the 100 watt heads made by Marshall, the first series had split tone controls similar to the ...
YBA 200-2 – A 200 watt bass head utilizing a quad of KT88's, 2 x 12AX7s and a 12AU7. YBA 300 - A 300 watt bass head utilizing 12 X 6L6GC's, 2 x 12AX7s and a 12AU7. DynaBass 400H – A 400 watt hybrid bass head with a solid state power amplifier, and selectable solid state or tube preamp with a 12AX7 tube.
During the 1970s, the MC-2300 was an expensive piece of audio equipment, with a retail price of $1799 by the time of its discontinuation in 1980. [1] That being said, its outstanding power and sound production quality made it a valued part of many recording studios and although some people prefer the sound of tube amplifiers, the overall greater reliability and freedom from repair of the newer ...
Line level is the specified strength of an audio signal used to transmit analog sound between audio components such as CD and DVD players, television sets, audio amplifiers, and mixing consoles.
PS audio offered the PCA II preamplifier. This was discontinued and replaced with the GCP-200 preamplifier. Each had an optional phono stage and external power supply option. For amplifiers, PS audio offered the HCA-2 "digital" amplifier. This was a switching amplifier (many would call this a Class D Amplifier) that provide about 150 watts per ...
Typical transformer insertion loss measurements are taken at 1,000 Hz to optimize the transformer's specifications. [4] Using this method, typical insertion losses are about 1 dB, a 20% power loss. Most of the power in voice-application audio systems is below 400 Hz, meaning that insertion loss at lower frequencies would be greater.