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The album of solo piano performances by Bergman was recorded in February 2003. [1] There are seven tracks, all of which were composed by Bergman. [1] In "Meditation 2", "a series of four chorded phrases are interchangeably used in repetition against droning figures and minor ninths, sevenths, and thirds, collapsing into one another to move the piece to another level."
Meditation music is music performed to aid in the practice of meditation. It can have a specific religious content, but also more recently has been associated with modern composers who use meditation techniques in their process of composition, or who compose such music with no particular religious group as a focus.
"Mercy" is a piano-driven song, [6] composed in the key of A with a tempo of 62 beats per minute, and a musical time signature of 4 4. [7] The lyrics of the song are testimonial, [8] as the singer affirms "that Jesus is alive in us and that He has rescued us from the grave."
Lawson is the creator and host of iHeart Radio Award-nominated [3] podcast Calm It Down, which explores mental health topics and meditation techniques soundtracked by his music. [4] He is also a breathwork coach who completed his certification at the Loka Yoga School, [5] and was named a UN ambassador for the World Federation for Mental Health ...
The piano/prepared piano piece A Room (1943, see above) was intended to be third part of She Is Asleep. [38] This piece is one of the earliest instances of the use of rhythmic proportions to govern the structure of individual movements and/or whole works. The proportion is 4, 7, 2, 5; 4, 7, 2, 3, 5 and it affects only the microstructure of the ...
Another example being The art of piano playing: a scientific approach by George A. Kochevitsky, who explains some of the fundamentals in teaching the piano. In his chapter on Progressive ideas in nineteenth-century teaching he explains some of Chopin's idea's (see above), there is a mention of five-finger exercises.
Leonard Bernstein – Fancy Free (ballet) John Cage – A Book of Music, for two prepared pianos; Four Walls, for piano and voice; The Perilous Night, suite for prepared piano; Prelude for Meditation, for prepared piano; Root of an Unfocus, for prepared piano; Spontaneous Earth, for prepared piano; Triple-Paced No. 2, for prepared piano
The piano and flutes gracefully glide up and down the upper octaves. Then, the piano repeats the theme by itself, humorous and secco, before being joined by the orchestra. The tension builds and the music ascends until it reaches a climax, when the opening theme returns with baleful trombones and crashing chords at the top of the piano.
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