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This is an accepted version of this page This is the latest accepted revision, reviewed on 4 February 2025. Ethnic group of central Mexico and its civilization This article is about the Aztec people and culture. For the polity they established, see Aztec Empire. For other uses, see Aztec (disambiguation). "Aztec" redirects here. Not to be confused with Astec. The Aztec Empire in 1519 within ...
Codex Azcatitlan, a pictorial history of the Aztec empire, including images of the conquest; Codex Aubin is a pictorial history or annal of the Aztecs from their departure from Aztlán, through the Spanish conquest, to the early Spanish colonial period, ending in 1608. Consisting of 81 leaves, it is two independent manuscripts, now bound together.
The Coatlicue statue is one of the most famous surviving Aztec sculptures. It is a 2.52 metre (8.3 ft) tall andesite statue by an unidentified Mexica artist. [1] Although there are many debates about what or who the statue represents, it is usually identified as the Aztec deity Coatlicue ("Snakes-Her-Skirt"). [2]
Tlaltecuhtli's importance in the Mexica pantheon is demonstrated by her inclusion in major works of art. A representation of the goddess can be found on each side of the 1503 CE Coronation Stone of the Aztec ruler Moctezuma II , alongside the glyphs for fire and water — traditional symbols of war.
The Mexica (Nahuatl: Mēxihcah, Nahuatl pronunciation: [meːˈʃiʔkaḁ] ⓘ; [3] singular Mēxihcātl) are a Nahuatl-speaking people of the Valley of Mexico who were the rulers of the Triple Alliance, more commonly referred to as the Aztec Empire.
The Chīmalli or Aztec shield (Nahuatl pronunciation: [t͡ʃiːˈmalːi] ⓘ; "shield") was the traditional defensive armament of the indigenous states of Mesoamerica. These shields varied in design and purpose.
According to Aztec history, female deities such as Coyolxāuhqui were the first Aztec enemies to die in war. In this, Coyolxāuhqui came to represent all conquered enemies. Her violent death was a warning for the fate of those who crossed the Mexica people. [16] Richard Townsend notes that the disk represented the defeat of the Aztecs' enemies ...
A tzompantli, illustrated in the 16th-century Aztec manuscript, the Durán Codex. A tzompantli (Nahuatl pronunciation: [t͡somˈpant͡ɬi]) or skull rack was a type of wooden rack or palisade documented in several Mesoamerican civilizations, which was used for the public display of human skulls, typically those of war captives or other sacrificial victims.