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Jimi Hendrix popularized the Fuzz Face and was known to buy multiple copies at a time to identify the best ones; his pedal chain often consisted of a wah-wah pedal into a Fuzz Face, then into a Uni-Vibe. [8] Other notable users include Duane Allman, [9] Stevie Ray Vaughan [10] Pete Townshend, [11] Eric Johnson, [12] and George Harrison. [13] [14]
10 Pedals Every Guitarist Should Own. SPIN Contributor. February 1, 2024 at 1:00 PM ... and are even remotely interested in the big “wall of sound” over-the-top fuzz sounds that bands like My ...
A custom-painted Fuzz Factory by Laura Bennett, an artist previously in the employ of Z.Vex Effects. Each unit is handpainted, and while there is a stock design that adorns most models of the pedal, there have been several variations released in limited quantity, including sparkle finishes, kanji finishes (writing and labelling of controls are in Japanese kanji characters), Korean finishes ...
The Tone Bender MKII is a three transistor circuit [1] based on the MKI.5 version, but with an additional amplifier gain stage. Sola Sound produced the circuit for Vox (who sold their version as the "Vox Tone Bender Professional MKII"), [5] Marshall (who sold their version as the "Marshall Supa Fuzz"), [6] and Rotosound (who sold their version as the "RotoSound Fuzz Box". [7]
The Fuzz Face is an effects pedal for electric guitar, used also by some electric bass players. It is designed to produce a distorted sound referred to as "fuzz", originally achieved through accident such as broken electrical components or damaged speakers.
Fuzz is a particular form of extreme distortion originally created by guitarists using faulty equipment (such as a misaligned valve (tube); see below), which has been emulated since the 1960s by a number of "fuzzbox" effects pedals. Distortion, overdrive, and fuzz can be produced by effects pedals, rackmounts, pre-amplifiers, power amplifiers ...
The "fuzz" concept was accidentally created in Nashville in 1961 by a malfunction in bassist Grady Martin's amplifier during a solo on a track. [2]The Wah-wah pedal started out as a knob that was created by a British engineer and guitarist Dick Denney in hopes that the guitar would be able to imitate certain aspects of the human voice.
The top panel was labeled with Pro Co Sound "The RAT" and the three control knobs as Distortion, Tone and Volume. Between 1979 and 1980 there were several cosmetic changes to the pedal as Pro Co worked to source knobs and print the labels on the pedal, but the circuit remained largely unchanged. In 1981 the Rat saw its first circuit change.
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