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Adorno retraces the historical evolution of art [2] into its paradoxical state of "semi-autonomy" within capitalist modernity, considering the socio-political implications of this progression. Some critics have described the work as Adorno's magnum opus and ranked it among the most important pieces on aesthetics published in the 20th century.
In France, Théophile Gautier turned a quotation from Victor Cousin's Course de philosophie into the motto l'art pour l'art, which was the workhorse of aestheticism. This phrase synthesized the belief in the absolute autonomy of art, which dispenses with any moral or ideological conditioning to express the idea of beauty as the ultimate goal of ...
Generative art refers to any art practice where the artist creates a process, such as a set of natural language rules, a computer program, a machine, or other procedural invention, which is then set into motion with some degree of autonomy contributing to or resulting in a completed work of art.
Benjamin presents the thematic bases for a theory of art by quoting the essay "The Conquest of Ubiquity" (1928), by Paul Valéry, to establish how works of art created and developed in past eras are different from contemporary works of art; that the understanding and treatment of art and of artistic technique must progressively develop in order to understand a work of art in the context of the ...
Autonomy, as a movement and as a theory, opposes the notion that capitalism is an irrational system which can be made rational through planning. Instead, it assumes the workers' viewpoint, privileging their activity as the lever of revolutionary passage as that which alone can construct a communist society.
In art, resilience is the ... a knowledge based on mathematics since the Greeks becomes a subjective aesthetic feeling. Added to this, theories on autonomy of ...
Sustainable art is art in harmony with the key principles of sustainability, which include ecology, social justice, non-violence and grassroots democracy. [1] Sustainable art may also be understood as art that is produced with consideration for the wider impact of the work and its reception in relationship to its environments (social, economic ...
Art-Club was formed with the intention of fighting for the autonomy of modern art. [2] This rather late standpoint in art history should be viewed in the light of the conditions dictated by Nazi art ideals right after Anschluss. The autonomy of the arts had been soiled by the concept of entartete Kunst and needed to be emphasized. For a decade ...