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Drew Struzan (/ ˈ s t r uː z ən /; born March 18, 1947 [1]) is an American artist, illustrator and cover designer.He is known for his more than 150 movie posters, which include The Shawshank Redemption, Blade Runner, E.T. the Extra-Terrestrial, as well as films in the Indiana Jones, Back to the Future, Harry Potter, and Star Wars film series. [2]
However, you have the option of putting the image into one of the appropriate sub-categories such as Non-free images of event posters, Non-free images of film posters, Animated film posters, Non-free images of television program posters, Non-free images of theatre posters, etc. To so, simply pass the name of the category as the first unnamed ...
A one sheet is a specific size (typically 27 by 41 inches (69 cm × 104 cm) before 1985; 27 by 40 inches (69 cm × 102 cm) after 1985) of film poster advertising. Multiple one-sheets are used to assemble larger advertisements, which are referred to by their sheet count, including 24-sheet [ 9 ] billboards , and 30-sheet billboards.
Ideally, an image of the film's original theatrical release poster should be uploaded and added to the infobox to serve as an identifying image for the article. Poster images can be found at websites such as Internet Movie Poster Awards or MoviePosterDB. If a poster image cannot be found for the film, or if the film did not have a theatrical ...
Cover of Carter Brown's novel Nymph to the Slaughter by Robert McGinnis, 1963. Robert Edward McGinnis (born February 3, 1926) [1] is an American artist and illustrator.McGinnis is known for his illustrations of more than 1,200 paperback book covers, [2] and over 40 movie posters, including Breakfast at Tiffany's (his first film poster assignment), [3] Barbarella, and several James Bond and ...
Illustration by Jessie Willcox Smith (1863–1935). An illustration is a decoration, interpretation, or visual explanation of a text, concept, or process, [1] designed for integration in print and digitally published media, such as posters, flyers, magazines, books, teaching materials, animations, video games and films.
When fictional television anchor Howard Beale leaned out of the window, chanting, "I'm mad as hell, and I'm not going to take it anymore!" in the 1976 movie 'Network,' he struck a chord with ...
An interview on the design and illustration of the 1974 poster The Man with the Golden Gun, Jung elaborated on his creative process: "The actual painting is done on 20x30 double-weight illustration board, half of a standard 30×40 board. I used acrylics, I can use it transparently or opaquely; it dries quickly and is permanent and can be reworked.